If you need some inspiration to help you get into the holiday spirit, then you should check out the Spotlight Theatre’s current production of Meredith Willson’s Miracle on 34th Street: The Musical. I was lucky enough to catch a dress rehearsal on Tuesday night and it was delightful. Director Chris Tracy's production of this show I'd never seen before was already polished and ready to go with fantastic singing, dancing, and acting.

The Black Box Theatre’s current show, Losers Bracket, isn’t exactly like the '80s sitcom Cheers, and Saturday’s theatrical barroom brawl was rife with profanity and strobe light effects that, for me, were painful. This tale of insurance fraud, dysfunctional relationships, and greed that all unfolds in a Chicago tavern known as Boo’s featured a few one-liners that I found funny – but other than that, I'd have to say, “Not my cup of tea.”

It's starting to look a lot like Christmas in the tiny town of Doublewide, Texas, and Saturday's performance of A Doublewide, Texas Christmas by Jessie Jones, Nicholas Hope, and Jamie Wooten was a hoot at the Richmond Hill Players' cozy Barn Theatre. It's a silly comedy full of colorful characters and even sillier situations, and judging by the full house and continual laughter, I would venture to say most everyone enjoyed themselves.

Dance, Billy, dance! And that he did during the Spotlight Theatre’s current production Billy Elliot: The Musical. Friday’s opening-night performance was magical and certainly razzle-dazzled me. Directed by one of my favorite local actors, Adam Sanders, there was never a dull moment; the evening was full of spinning chair stunts, great chassés, pirouettes, tap dancing, and lots of outstanding singing.

I always like rooting for the underdog, and Saturday’s matinée performance of Disney’s Newsies: The Musical at the Timber Lake Playhouse is a David-versus-Goliath story full of vibrant and energetic dancing, coupled with excellent singing, as the cast of 27 took on this delightful Broadway smash. I especially enjoyed the scenic design by David Goldstein – an expanded set of rusty steel bars that were constructed into high platforms and stairs, reminding me of Elvis Presley's Jailhouse Rock set.

While enjoying my Saturday afternoon at the Timber Lake Playhouse, I believe I realized what the “steel” means in the theatre’s latest production – playwright Robert Harling’s Steel Magnolias. Based on Harling’s own personal life experience and the death of his sister, this show has many poignant moments, involving both laughter and tears, as we take a look inside the lives of six eccentric, delicate, but tough-as-steel Southern women in northwest Louisiana.

Who doesn't like a singing and dancing nun? Because everyone seemed to be delighted at Thursday night's preview of Quad City Music Guild's Sister Act. The evening was filled with comedy and profound contemplation as the habit-wearing sisters praised the Lord in song and dance proclaiming, "It's good to be a nun!"

Chivalry is not dead. In fact, in the form of Miguel de Cervantes' Don Quixote, it's very much alive at the Timber Lake Playhouse in the theatre's latest production: the 1965 Broadway-musical hit Man of La Mancha.

The Circa '21 Dinner Playhouse Bootleggers have a cult following of enthusiastic fans that are very passionate about, and dedicated to, these talented performers who also double as the theatre's efficient wait staff, and Thursday's opening-night presentation of the group's mainstage show The Best of the Bootleggers certainly did not disappoint. There was a lot of clapping and singing along as 12 of the most talented Booties I've ever seen delivered a variety of musical numbers that left our audience longing for more.

There's a British invasion going on at the Clinton Area Showboat Theatre, and Friday's performance of The Who's Tommy was in your face, intense, and powerful, a rock opera that cranked up the volume on the phenomenal music of one of the most influential groups of the 20th century: English rock band The Who.

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