There are some delightful moments in Quad City Music Guild's holiday production A 1940s Radio Christmas Carol, including composer David Wohl's fantastic arrangements of classic carols, and inspired performances by some of the cast members portraying radio actors. When neither of these elements are present, there's also scenic designer Harold Truitt's layered, multi-level set with a plethora of pleasing décor, as well as costume designer Heidi Pedersen's impeccably-tailored period ensembles. It also boasts the fun of watching several local acting dynamos share the stage together.
Twas the Night Before Christmas, at Circa's playhouse,
The kids cast in the Playcrafters Barn Theatre's Yes, Virginia, There Is a Santa Claus are the best parts of the production, with Lena Slininger's Virginia and the rest of the children lending the proceedings a bright innocence - even when some youths are bullying Virginia about her worn-out shoes - that provides a welcome warmth to the holiday tale. Unfortunately, the kids aren't of central importance in this play that includes one of their names in the title.
With its emotional language and poetic imagery, Tony Kushner's Angels in America - the playwright's "gay fantasia on national themes" composed of two parts subtitled Millennium Approaches and Perestroika - is among my favorite scripts. And there are times at which the District Theatre's production of Millennium Approaches nails the nuances of Kushner's writing, allowing the beauty of his intent to be on full display.
Annoyed by local radio stations that switch to 24 hours of holiday music on November 5, as well as stores that set up holiday displays before Halloween, I wasn't all that keen on seeing a Christmas musical in early November. However, Irving Berlin's White Christmas is my kind of holiday production: It's light on its emphasis on Christmas cheer, and plays out as a musical that just happens to take place ahead of the holidays.
New Ground Theatre's Clybourne Park, written by Bruce Norris as a sequel, of sorts, to Lorraine Hansberry's classic play A Raisin in the Sun, takes quite a bit of time to get rolling. But once it does, this exploration of racial tensions at different points in American history is wickedly hilarious. Director Chris Jansen effectively employs a slow, nearly dull pacing to build to a significant payoff, particularly in the second act, when the purposefully bland tone fits the play's scene of a neighborhood-association meeting. Following Friday's performance, I was amused at how, during the presentation, I went from being almost bored to laughing heartily.
Cheaper by the Dozen seems a perfect fit for a company such as the Richmond Hill Barn Theatre. It's a wholesome family tale - one featuring a large group of children - that suits the theatre's charm, and given playwright Christopher Sergel's endearing script, should easily please patrons.
It was with eager anticipation that I sat down to watch Friday's performance of the QC Theatre Workshop's Bat Boy: The Musical, especially knowing that Calvin Vo would be portraying the title role.
If any local-theatre venue sets the bar for scenic design, I'd make a case for Augustana College. Anyone who doubts the theatre department's candidacy should see its presentation of The Passion of Dracula, with its set that's the latest in a long line of remarkable constructs.
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