Greg Bouljon and Mandy Landreth in SylviaChoosing a favorite line of dialogue from A.R. Gurney's Sylvia is nearly impossible, as the playwright's hysterically clever and insightful comedy offers almost too many choices; some of Gurney's best jokes here are so spectacularly subtle that you barely register them. ("Just close your eyes and think of England" is an especially sharp throwaway.)

Jodie Foster in The Brave OneTHE BRAVE ONE

For what is essentially a lurid revenge thriller, Neil Jordan's The Brave One is fascinatingly complex ... for a while.

Toubab Krewe

The Redstone Room

Friday, September 21, 9 p.m.

 

Mayor Mark Schwiebert and Ruth Evelyn Katz Over the past 19 years, the Riverssance Festival of Fine Art has bestowed the Harley Award (named after the event's harlequin logo) in recognition of "an individual or organization that has demonstrated a lasting commitment to the promotion and the advancement of the visual arts and artists in the Quad Cities area." And certainly, that description applies to 2007's Harley Award recipient, Ruth Evelyn Katz.

The Actual "Make a left, Rob. This left right here onto 101 south. Left turn, 101 south. Left!"

I've obviously caught Max Bernstein at a bad time.

Christian Bale in 3:10 to Yuma3:10 TO YUMA

James Mangold's dramatic Western 3:10 to Yuma, the remake of a Glenn Ford oater from a half-century ago, is a tough, effective, frequently powerful piece of work. Yet despite its authentic period design and supremely intelligent performances, it feels a little lightweight; a few hours after seeing it, you may not remember much about the experience except having had a good time. Especially considering Hollywood output of late, 3:10 to Yuma is hardly a disappointment, but for all of its thematic richness, the movie is rather generic - it's a modern-day action blockbuster in Old West attire. The film is everything except moving, and I have a sneaking suspicion that Mangold desperately wants it to be.

Paul Giamatti and Clive Owen in Shoot 'Em UpSHOOT 'EM UP

Frequently unpleasant and almost pathologically violent, Michael Davis' action thriller Shoot 'Em Up is a joke, and the film's biggest detriment is that is takes too long for it to be an intentional one.

Ray Blue

The Redstone Room

Sunday, September 16

 

The Contours featuring Sylvester Potts (left) Excepting a brief hiatus at the tail end of the 1960s, recording artists The Contours have been performing and touring every year since 1960. It's just that, as original group member Sylvester Potts says, "People just didn't hear of us.

"But we was workin'," he continues. "Playing, goin' overseas, you know. We kept doing that 'til Dirty Dancing came out. And that shot us back out there." And how.

Tyler Mane in HalloweenHALLOWEEN

On the list of 1970s horror films that absolutely, positively did not demand a remake, John Carpenter's spare, suggestive, and deeply frightening Halloween would have to place right near the top. If, however, a 21st Century revamp was inevitable (and, Hollywood being Hollywood, it was), I would have thought Rob Zombie the ideal choice for the task, as the director's House of 1000 Corpses and The Devil's Rejects were relentless, darkly funny, and unapologetically nasty entertainments with a low-rent style that captured the spirit of '70s exploitation terror to perfection. Who better suited to bring Michael Myers back to life?

Having seen Zombie's offering, I'm thinking the answer might be: just about anyone else.

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