I want to put 2020 behind us as much as you all likely do. So in lieu of a lengthy intro to my annual Movies of the Year article, this time with downbeat commentary on delayed releases and shuttered cineplexes and the potential demise of the traditional film experience and everything else we don't want to reflect on, what say we just skip to the good stuff?

The 72nd Annual Primetime Emmy Awards were presented last night in a relatively lively, primarily virtual ceremony featuring riotous highs (you are a national treasure, Mr. Letterman), only a few dismal lows (poor Anthony Anderson), some great surprises (thank you Jennifer, Courtney, and Lisa for the half-reunion of Friends), and, in a wonderful change of pace, loads of truly deserving victors. (My favorite comedy series, drama series, and limited series all won! Who woulda thunk it?!)

I should preface by saying that I'm terrible at predicting Emmy Award winners. Seriously: I'm terrible.

Here are five of my favorite family-themed films released between 1972 and 1997, works boasting relatives you'll love, relatives you'll loathe, and relatives you'll be both saddened and grateful to see go. Trust me: They're cinematic offers you can't refuse.

Some performers wait decades for their first citations, and some hit home runs their first times at bat. The following are examples of the latter: Ten individuals from nine titles released between 1982 to 1996 who all scored Oscar nominations (or, in two cases, wins) for movie debuts made after the performers turned 20. I'm using that age as a starting point because I wrote about Oscar-acknowledged youths Quinn Cummings, Justin Henry, and Tatum O'Neal just last month. And also because if I keep raving about Anna Paquin in The Piano, I'm gonna start looking like a Person of Interest.

Let's look at a few home-viewing options that provide laughs within their nightmares – five titles from 1976 to 1991 that offer a lot of scariness combined with a healthy dose of humor.

The following quintet of 1982 to 1991 releases is composed of four contemporary movies and one period piece – with that “period,” at the time of its filming, all of 19 years old – that personally inspire smiles and tears across the board through memorably satisfying takes on adult romance. One of them, in its first minutes, finds Daniel Day-Lewis whispering to a woman, in unexpectedly romantic fashion, “Take off your clothes” … and he does it while wearing a face mask! Well, okay, not a face mask. He actually says it with a towel wrapped on his face. But still … covered faces on-screen can be sexy, too! So maybe there is hope!

After a lengthy illness, British director and two-time Oscar nominee Alan Parker passed away on July 31 at the age of 76. At the time of his death, Parker hadn't made a film since 2003's The Life of David Gale, which isn't exactly the fondest of cinematic farewells. But he could always be counted on to get critics talking. In 1982, a reviewer called his latest work “perhaps the most revealing American movie of the era.” In, 1987, a reviewer wrote, “Alan Parker has technique to burn … and that's what he should do with it.” And it was the same reviewer.

If you've got a few hours to spare, you can do a deep dive into all of the contenders at the Emmy Awards' official Web site. But if you're looking for something shorter, less comprehensive, and certainly less authoritative considering just how much TV I don't see on a yearly basis, here are a dozen personal, arguably meaningless takeaways from yesterday's announcement.

As we continue to cross fingers that something – anything – will soon be playing at a theater near us, let's take a look at five direct sequels from 1980 to 1993 that, for me, are all significant improvements on the blockbusters that preceded them.

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