BEE MOVIE

During its first 15 minutes or so, Dreamworks' computer-animated Bee Movie is a visual delight but not much of an aural one.

THE DARJEELING LIMITED

Regarding Wes Anderson's The Darjeeling Limited, let's acknowledge the elephant in the room right away: Watching Owen Wilson play a damaged, bandaged dreamer who recently survived a suicide attempt and masks his sadness with optimism and good cheer is almost painfully poignant, and at times, more than a little tough to watch. Happily, though, you can easily imagine being just as moved by him without awareness of the actor's off-screen troubles.

MICHAEL CLAYTON

There's a spirit of fatalism and dread that hangs over nearly every scene in Tony Gilroy's legal thriller Michael Clayton, and the miracle of the movie is that its grimness doesn't equal torpor; for a work drenched in both literal and figurative darkness, it's exquisitely, robustly entertaining. Like the films in the Bourne franchise (all of which Gilroy scripted), Michael Clayton is a smart, knotty diversion that keeps your senses, at all times, alert, and happily, the movie's ecologically minded plotline - involving an agricultural chemical company being sued for poisoning communities - doesn't have sanctimonious intent. The movie isn't designed to be Good for Us; it's just designed to be good. And it's very, very good.

THE JANE AUSTEN BOOK CLUB and THE GAME PLAN

On their surfaces, The Jane Austen Book Club and The Game Plan would seem to have nothing in common. One's a dramatic-sitcom wherein a sextet of bibliophiles dissect a noted author's works and unintentionally enact her plotlines; the other's a Disney slapstick wherein an adorable moppet teaches fatherhood lessons to a professional quarterback. (No points for guessing which film is which.)