With the independent film's “Roadshow Tour” making its first stop in Davenport, the mystery-drama Jury of Her Peers enjoys a special screening at the Last Picture House on December 16, writer/director William Rock's true-crime feature adapted from a short story by Pulitzer Prize-winning native Iowan Susan Glaspell.

Although the film is anchored by a ferocious Jessie Buckley and a frequently moving Paul Mescal, it might be impossible, after seeing director/co-writer Chloé Zhao's Hamnet, to reflect on the movie without the face of its titular portrayer coming instantly to mind, and potentially making you well up all over again.

With Rotten Tomatoes' critical consensus calling the film "disturbing and thought-provoking" as well as "a cold, dystopian nightmare with a very dark sense of humor," Stanley Kubrick's 1971 classic A Clockwork Orange will be screened on December 17 as part of the community series Filmosofia, this evening at Rock Island's Rozz-Tox also featuring a reading discussion on the movie's philosophical themes hosted by Augustana College's Dr. Deke Gould.

While Wake Up Dead Man: A Knives Out Mystery is fun, it's mildly underwhelming fun – like that three-minute roller-coaster ride you realize wasn't worth the half-hour you waited in line for it.

Hailed, or maybe derided, by Entertainment Weekly as "the Citizen Kane of bad movies," multi-hyphenate Tommy Wiseau's legendary 2003 melodrama will enjoy two special screenings at Davenport venue The Last Picture House on December 4, the eagerly awaited An Evening Inside "The Room" with Greg Sestero featuring live Q&A sessions with the cult classic's co-star who authored the best-selling The Disaster Artist. Oh hi, Mark!

The only real reason to see this musical continuation is Ariana Grande, who deepens her portrayal of Glinda (née Galinda) to such a degree that both the character and the performer feel remarkably fresh, almost as though we're meeting them for the first time.

This opinion may seem counterintuitive, or even downright crazy. But I found director/co-writer Edgar Wright's The Running Man, a violent, profanity-laden dystopian thriller based on a Stephen King novel … kind of adorable.

I had an utterly spectacular time at director Dan Trachtenberg's sci-fi thriller that's also, brace yourselves, a thoroughly winning buddy comedy.

Eventually, the bubble will no doubt burst, as one does quite memorably toward the end of his latest film. But barring the unrelieved misery wallow that is 2017's The Killing of a Sacred Deer, no one's movies over the past 10 years have tickled and astonished me quite like Yorgos Lanthimos', with the director's new, wickedly entertaining oddity Bugonia much like his others, and also not at all.

This Veterans Day weekend, the Moline-based Fourth Wall Films – run by the extraordinary husband-and-wife team of Kelly and Tammy Rundle – will premiere the latest documentary in the planned nine-part, short-film Hero Street series.

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