Currently boasting a 97-percent "freshness" rating on aggregate Rotten Tomatoes, where the film's critical consensus calls it "a visually awe-inspiring science-fiction classic from the silent era," Fritz Lang's legendary 1927 opus Metropolis serves as the third presentation in the German American Heritage Center's German Expressionist Film Series, this masterpiece also lauded by Roger Ebert as "a work so audacious in its vision and so angry in its message that it is, if anything, more powerful today than when it was made."

Anyone who stumbled upon the Reagan poster and felt immediately inclined, maybe even compelled, to see the picture likely got exactly the experience they wanted; that visual image is pure hero worship, and so is the movie

Holding a 97-percent "freshness" rating on Rotten Tomatoes, where the critical consensus calls the 1922 film "one of the silent era's most influential masterpieces" that "set the template for the horror films that followed," F.W. Murnau's Nosferatu serves as the second presentation in the German American Heritage Center's German Expressionist Film Series, its September 11 screening at Davenport venue The Last Picture House treating audiences to the movie ranked 21st in Empire magazine's list of "The 100 Best Films of World Cinema."

Lauded by legendary film critic Roger Ebert as "ambitious and inventive, and almost worth seeing just for Anjelica Huston's obvious delight in playing a completely uncompromised villainess," director Nicolas Roeg's The Witches enjoys an outdoor screening in Rozz-Tox's "Garden Cinema '90s Family Night" series on September 7, with Rotten Tomatoes' critical consensus adding that "Roeg's dark and witty movie captures the spirit of Roald Dahl's writing like few other adaptations."

Director/co-writer Greg Kwedar's Sing Sing allows Colman Domingo's soul to spill for roughly 100 solid minutes. Thrillingly, however, his isn't the only soul on display. Not by a long shot.

A revolutionary work that Roger Ebert said was arguably "the first true horror film," director Robert Wiene's 1920 landmark The Cabinet of Dr. Caligari serves as the first presentation in the German American Heritage Center's German Expressionist Film Series, its September 4 screening at Davenport venue The Last Picture House treating audiences to the silent classic that helped draw worldwide attention to the artistic merit of German cinema.

On September 5, a widely lauded, deeply important Iranian film will enjoy a special screening at Davenport's Figge Art Museum in the presentation of directors Ali Asgari's and Alireza Khatami's Terrestrial Voices, the Un Certain Regard Award recipient at the 2023 Cannes Film Festival that also won both the Grand Prix and the FIPRESCI Award at the 2024 Luxembourg City Film Festival.

Fede Álvarez's franchise extender is a punchy, routinely exciting entertainment, and coming after the twinned bores of Ridley Scott's Prometheus and Alien: Covenant, it's also a considerable relief.

A filmed-live version of the hit stage piece that was a finalist for the Pulitzer Prize and a Tony Award nominee for Best Play, director Marielle Heller's What the Constitution Means to Me enjoys a special, free screening at Davenport's Metropolitan Community Church of the Quad Cities on August 26. This Women’s Equality Day event finding writer/star Heidi Schreck both humorously and seriously challenging how Americans understand their rights in the U.S. Constitution, and arguing that the document actually does little to guarantee the rights of women and minority groups.

It Ends with Us isn't necessarily great. It is, however, a crowd-pleaser that's strong and sincere and unexpectedly touching … and unlike the film Blake Lively's husband is currently starring in, at least it makes a modicum of sense.

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