More than five years in the making, a deeply meaningful string-quartet record will be available to local music lovers five days before its world premiere.

Having kicked off its 110th-season Masterworks series on October 5 and 6 (honoring the 200th anniversary of Anton Bruckner’s birth with his Symphony No. 7), the Quad City Symphony Orchestra has a special program in November.

The Deanery School of Music is entering a new movement in its score, with a new concert series and new director.

It's easy to sing the praises of Nova Singers, a professional choir that has presented awe-inspiring, heartfelt concerts in the region since 1986.

Black metal was born in Scandinavia more than three decades ago, the devilish creation of bored, angry, and misanthropic teenagers who sought to take the rawness of thrash and carry it to faster and more sinister extremes. Thirty-plus years later, the style is more popular than ever, but many bands have realized that reinventing the diabolical wheel is not enough.

There are a number of fine performances scheduled at Rozz-Tox as detailed on their Web site, but the arrival of the Bill Orcutt Guitar Quartet on May 4 is unique even by the standards of that most eclectic of QC venues.

Something is coming, looming on the horizon like madness in the spring, leaving chaos and destruction in its wake. GWAR is coming on March 26, and there is no escape.

In the 2020s, the “doom” or “sludge” tag is increasingly self-applied, as an ethos as well as an aesthetic, by bands who create oppressive, cathartic music intended as a reflection of our dismal times. Such are the three bands – Body Void, SERAC, and Everlasting Light – playing Davenport's Raccoon Motel (315 East Second Street) on Friday, December 8.

Fifty-plus years into a career of evil that's spawned 14 studio albums including 2020's The Symbol Remains, Blue Öyster Cult are returning to Davenport for a show at the Rhythm City Casino on Saturday, November 18.

Sarushibai (猿芝居) are a three-piece from Fujioka City, Japan, crashing merrily around the USA in support of their new album 日​陰​者​の​矜​持 (loosely translated to Pride of a Person in the Shadows.) It's a slim, clamorous ten-song rush of energetic power-chord chug.

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