Davenport-based producer K1ng Supr3m3 breaks out the crates and gathers together a network of dusty samples and fluid drum patterns for ジャンプドライブ (Japanese Katakana for “Jump Drive,” which might lead us to believe that these tracks were sourced from a particularly packed flash USB stick).

Avant-garde composer, multi-instrumentalist, and soft-music pioneer Harold Budd passed away earlier this month at the age of 84. Though considered a major forerunner of styles of music that would come to be named “ambient” and “New Age” in their various forms, Budd rejected these terms outright. From his viewpoint, his music floated in its own stratum, somewhere in the neighborhood of 20th-century minimalism or neoclassical composition.

With the holidays looming and entertainment options limited, a Quad Cities music promoter has put together a special, free streaming event featuring 11 acts and 11 businesses. With the intention of "celebrating the beautiful originality and talent of the Quad Cities music scene," The Festivus Show is a "two-day holiday extravaganza," set to run on December 26 and 27 and billed as “a fun and immersive journey.”

It feels gauche to compile a year-end list of music in 2020, a year in which the daily conditions of the music industry suffered a pandemic-borne cataclysm and the future of live music was subsumed into a haze of drive-in concerts and illicit plague raves. Time dilation made sure that this year felt like five years in one, and any music released before March must, by necessity, slot into some other temporal category entirely.