If you can't pull off grandeur in a show that's pretty much known for grandeur, you're much better off shooting for ingenuity and invention. So, for those curious how the modestly scaled Clinton Area Showboat Theatre was going to house the extravagantly scaled Joseph & the Amazing Technicolor Dreamcoat, the happy answer is: with considerable wit and smarts, thank you.
If you were to ask me which I'd rather see - a new stage comedy by David Mamet, Elaine May, or Woody Allen - I'd have to think long and hard before giving you my answer: "Yes, please."
Jason Robert Brown's The Last Five Years is perhaps the best-known, most widely adored American musical that, in all likelihood, you've never heard of. Unless, that is, you're well-versed in modern musical theatre, in which case Brown's two-character, mostly dialogue-free offering probably isn't familiar so much as borderline-legendary.
On Sunday morning, I started writing my piece on the musical revue I'd seen the night before, and here's how I began my first draft:






