Christian Klepac and Jami Witt in The Glass Menagerie

Dining alone in a restaurant before attending the Clinton Area Showboat Theatre's opening-night production, I couldn’t help but hear a mother-and-daughter conversation – or rather, confrontation – at the next table. The mother was insisting that her child (who I'm guessing was about eight) put her long, loose hair into a ponytail so it wouldn’t fall into her face while eating. The strong-willed girl refused. The mother kept insisting, and eventually tried pulling the girl's hair back with a hair tie, with her daughter squirming and shaking it loose. This battle of wills went on for five excruciating minutes, but I had to smile as I thought, “This little drama is a microcosm of the play I'm about to see.”

Holly Moss and Jon Loya in Grease

In 1971, Jim Jacobs took his experiences attending Chicago's Taft High School and, together with Warren Casey, wrote the book, music, and lyrics for a musical titled Grease. You may have heard of it.

Cash Maciel and ensemble members in South Pacific

An island can conjure different images – a great vacation get-away, a place of isolation, a place with a different culture and different rules – and on July 8, the Clinton Area Showboat Theatre opened South Pacific, Rogers and Hammerstein’s 1949 musical about love, World War II, and overcoming fears on two South Seas islands. One is teeming with military personal and native islanders. The other, Bali Ha’i, is mysterious, inhabited by only islanders, and out of reach by all but a few. Humans are thrown together by war in this paradise of danger, beauty and difference, and the Showboat cast gave this classic a fresh feeling, with iconic songs such as “Some Enchanted Evening,” “I’m in Love with a Wonderful Guy,” “I’m Gonna Wash That Man Right Outta my Hair,” and “There is Nothing Like a Dame” still holding up.

Jay Berkow and ensemble members in The Music Man

When people are asked what they think of when thinking about Iowa, they mention the following in no particular order: corn, Grant Wood, corn, Field of Dreams, corn, Hawkeyes, corn, Bruce … um … Caitlyn Jenner, corn, pork, corn , and the final answer – Meredith Willson. A famous son from Mason City, Willson is best known for writing and composing the uniquely American musical-theatre classic The Music Man.

David Coolidge and Matthew Teague Miller in 'The Odd Couple'

The Clinton Area Showboat Theatre is titling its summer schedule of shows “A Season of American Classics,” and it was kicked off on June 2 with The Odd Couple. And what a kickoff it was, as the ensemble cast, directed by Jami Witt, didn’t have a weak player on the team.

Kriss Doss, Aaron Brakefield, Christian Chambers, Daniella Dalli, Livvy Marcus, and Jonathan Young in Next to NormalThursday's performance of Next to Normal didn't appear as well-attended as the rest of the Clinton Area Showboat Theatre's opening nights this summer. Yet while this musical trip through a family's struggle with the mother's mental issues may not be as familiar as a Cats or Steel Magnolias, this isn't a piece to miss. The songs by Tom Kitt and book by Brian Yorkey are powerful testimonies to the reality of mental illness for those who suffer from it, and those who suffer through it alongside a loved one.

Bailey Jordan Reeves, Jalayne Riewerts, and Miranda Barnett in Steel MagnoliasNot long into author Robert Harling's ensemble dramedy Steel Magnolias, the Louisiana beautician Truvy asks local socialite Clairee Belcher about the recipe for a delicacy called "cuppa cuppa cuppa," the ingredients for which are a cup of flour, a cup of sugar, and a cup of fruit cocktail. Truvy says it sounds awfully rich, and Clairee replies that it is, "so I serve it over ice cream to cut the sweetness."

That line gets a laugh, and it should, and after attending the Clinton Area Showboat Theatre's new production of Steel Magnolias, it dawned on me that Clairee's dessert makes a fine analogy for the play itself. In effect, Harling's beloved, female-driven theatrical mainstay is a cup of wisecracking sitcom, a cup of unvarnished sentimentality, and a cup (perhaps a teaspoon or two less) of genuine feeling, all blended together and served over ice cream. Some may find this tale of six Southern friends and beauty-parlor regulars too sweet. But it'd be hard to deny the tastiness of the Showboat's presentation, and if the collective response during Thursday's curtain call was to be trusted, the standing, clapping, happily tearful crowd would've gratefully asked for seconds.

Derrick Bertram, Joseph Brune, Kate Struble (center) and ensemble members in SeussicalIt is with no hesitation that I admit adoring Stephen Flaherty's and Lynn Ahrens' musical Seussical, for which Flaherty wrote the music and Ahren the lyrics, with both collaborating on the book. Though it seems a children's play, the lyrics, melodies, and harmonies are sophisticated and memorable, and knowing how much I like this piece - and remembering the Clinton Area Showboat Theatre's excellent Cats from earlier this summer - I couldn't set aside my expectations prior to Thursday's Showboat performance, certain I was in for a theatrical treat. Director Matthew Teague Miller did not disappoint.

Livvy Marcus, Jonathan Young, Bailey Jordan Reeves, and Christian Chambers in My Way: A Musical Tribute to Frank SinatraThe Clinton Area Showboat Theatre's My Way: A Musical Tribute to Frank Sinatra is filled with beautiful vocals from beginning to end, as Christian Chambers, Livvy Marcus, Jonathan Young, and Bailey Jordan Reeves sing their way through 55 of Sinatra's songs. Backed by a three-piece band under the lead of musical director Matt Bean, who also plays piano, this production covering the singer's hits - along with a few facts about his life thrown in here and there - sounds sensational, and is a true delight for the ears.

Natalie Fisher in CatsI struggle with where to begin in praising director Matthew Teague Miller's Cats at the Clinton Area Showboat Theatre, simply because there's so much to praise.

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