October is Void Church season. The Quad Cities collective books shows in all seasons. But when the shadows fall and the light fades, when the veil draws thin and the wind whispers dark and suggestive secrets on the chilling air, Void Church falls into their element. The term “goth” is thrown around like a can of black lacquer, but it fits them like a pair of fishnets. They invite you to come revel in the dying of the light, with one caveat: “Are you ready to meet your shadow?”

Two classic piano concertos, two world premieres by female composers, and the Quad Cities debut of a new saxophone concerto are among highlights of the Quad City Symphony Orchestra's (QCSO's) 111th season, which will formally begin with its first Masterworks program on October 4 and 5.

Death metal has roots in numerous bands and places, most significantly in the humid, blood-soaked, stimulant-crazed state of Florida, a peninsula cursed since the days of the Spaniards, if not before. Its tentacles have spread across the globe, including to the poisoned wastes of Iowa, which brings us to the subject of this article.

Like many of us, Mike Conrad is just making it up as he goes along. Unlike most of us, however, the 37-year-old – a Bettendorf High School alum whose trio headlines a June 29 concert at Davenport's Redstone Room – has won international acclaim and several awards for his improvisational wizardry as a composer, arranger, pianist, and trombonist.