T Green's and Calvin Vo's production hooked me from the start – the performers are lively, fully present, and engaged in their scenes, and usually moved and spoke naturally, with excellent projection and diction.

If it’s got over-ze-top German accents, banging rock music, and more questionable wigs than you can shake a Spirit Halloween store at, it must be Rock of Ages, now playing at the Timber Lake Playhouse. Directed with aplomb by James Beaudry, Timber Lake’s latest takes us back to a yester-decade when rock music was the culture and not something confined to specific frequencies of FM radio.

If you don't think opera can be frivolous and fun, Opera Quad Cities will prove otherwise, with a big dollop of flair and abundant thrills for the ear and eye.

They're creepy and they’re kooky, but I must tell you: For a musical comedy about a clan that generally lacks enthusiasm for anything other than the macabre, the Clinton Area Showboat Theatre's The Addams Family was truly a high-energy showcase of talent and spectacle. Director Courtney Ryan Crouse, who's also the company's artistic director, brought the ghoulish tale to light in a way that was hysterically heartwarming.

M: With its familiar storyline, a lot of talent on and off stage, and a full helping of over-the-top silliness, it really hits most of the right notes.

K: You know who was hitting all the right notes?

M: Could you possibly mean Lauren VanSpeybroeck and Casey Scott?

K: I could!

The Avenue Q book writer, a Tony Award-winning lyricist, a Pulitzer Prize-winning composer, and the creator of Hamilton collaborate on a musical that's a hybrid of Hairspray, Mean Girls, and Sister Act II. You in? You should be.

For Oedipus Rex, veteran director and actor Michael Callahan was wise to choose a translation by Ian Johnston, written in contemporary English, rather than an archaic version (i.e., one employing 17th-century "thou"s). We're also spared a script written in verse, as continued rhymes might've become irritating in a stage work lasting this long.

It’s really a shame there are only six performances left of Arthur & Friends Make a Musical!, because truly, the Circa '21 Dinner Playhouse's latest family entertainment was a fun show full of surprises and little touches that make the hour fly by. From the cast taking over the pre-show announcements to dancing off stage to a certain theme song, director Kiera Lynn’s small-but-mighty cast packs a big, big punch.

In Steel Magnolias, first-time director and backstage veteran Megan McConville has assembled an able cast and crew, and created an eye-pleasing, engaging experience with fine production values.

Kitty: For me, Fun Home is what would happen if Tennessee Williams made a musical.

Mischa: Okay, intriguing … could you spell that out more specifically?

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