If you know this musical's title, and have seen any ad artwork, you already know that the show involves a very bad sentient plant. So I'll now reveal that it grows, as plants do. Except real big. And it's a carnivore. And it keeps wanting heftier portions of meat.

I was delighted to catch Friday’s opening-night performance of the new musical comedy Disenchanted! at the Circa ’21 Dinner Playhouse. Directed by Corinne Johnson, with musical direction by Ron May, this show is about the other sides – more disgruntled sides – of the lives of fairytale characters made famous through the wonderful world of Walt Disney, with Snow White and her gang of dissatisfied co-princesses venting their frustrations as storybook/movie characters.

There were people dancing in the aisles at the Timber Lake Playhouse on Friday night, with patrons enjoying the theatre's current and vibrant musical production Buddy: The Buddy Holly Story. Audience members absolutely went wild for author Alan Janes' show – they were on their feet, clapping, cheering, and singing along to such classic tunes as “Peggy Sue,” “Maybe Baby,” and “Oh Boy.” The atmosphere was positively charged, and I found myself singing along, too. It was so good to see people cutting loose and having a fantastic time.

On Wednesday night, I attended a preview of the Black Box Theatre’s latest presentation The Guys, written by Anne Nelson. Based on a true story, the play follows an editor named Joan (Jennifer Cook Gregory), who receives an unexpected phone call from Nick (Jim Harris), a fire captain who has lost most of his men in the 9/11 attacks. Directed and designed by Lora Adams, The Guys is a poignant and conversational piece that brought forth, to me, many horrific and sad images from that devastating day.

Any time you have the chance to catch a brand-new script in performance, it’s bound to be interesting. Local playwright Jim Sederquist kicked us back to 2013 with his new dramedy The Whistleblower’s Dilemma, and, under the direction of Mike Turczynski, Saturday’s presentation at the Playcrafters Barn Theatre definitely lived up to “interesting.”

When I sat down for Saturday's presentation of Outside Mullingar, I was already impressed by the high quality of the performers' credits, along with the large quantity of shows each has done. I was soon to be dazzled.

I attended Quad City Music Guild's Thursday preview of Matilda: The Musical, and as I'd never before seen the 2010 show, hadn't seen the 1996 movie, and hadn't read the 1988 Roald Dahl book it's based on, I obviously came very late to this party – and it's a huge party.

Does everything that happens to us happen by chance? Or could our reactions to life’s events change their outcomes in small or large ways? (I've heard it said before that what might break one person may actually strengthen another, and although we cannot control outside events or circumstances, we can choose how we react.) These thought-provoking questions came to mind as I finished watching Sunday’s matinée performance of playwright Nick Payne’s Constellations, now playing at the Clinton Area Showboat Theatre.

It was a lovely summer evening at the Timber Lake Playhouse on Friday night, with glowing stringed lights hanging throughout the campground that added a tranquil feeling outside. Inside the theatre, it was equally pleasant, with the welcoming, rustic set design by Sherri Howells providing a fabulous, bluegrass-and-country playing area for the venue's latest musical presentation The Robber Bridegroom.

While Friday’s opening night for Countryside Community Theatre’s production of Newsies: The Musical didn’t completely change my mind about the plot points (why is “Santa Fe” now the opening number?!), director/choreographer Ashley Mills Becher’s version packed big punches of fun and personality that made the night undeniably exciting.

Pages