Despite this production being an excellent exhibition of both stagecraft and acting skills, Baskerville's comedy devolution did not grab me personally – though some audience members at Thursday's preview performance cheered.

K: I really loved when the British and German soldiers came together to pose for a photograph. A camera bulb flashed, flooding the group in bright light for just a split second, capturing the occasion in time. It was a simple yet powerful effect.

M: There’s another great lighting effect that comes in to enhance “Silent Night” … but I shouldn’t give it away.

Kitty: I love this musical. The 1982 movie adaptation was a favorite of mine growing up. But I had forgotten that this show takes place at Christmas! So it’s a nice little holiday treat, as well.

Mischa: True, though you'll most likely leave the theater humming “Tomorrow” or “Hard Knock Life,” not “A New Deal for Christmas.”

Both the year and the theatrical season are winding down for a long winter’s nap, and the Timber Lake Playhouse’s final production of 2024 could not offer a more pleasant nightcap. Directed and choreographed by Marquez Stewart, and featuring some surprisingly effective audience participation, Winter Wonderettes is a wonderful dose of theatre to fully get you in the spirit of the season.

Everyone knows that Christmas is a time for peace on Earth and goodwill to men. Unless, of course, you’re an ever-opinionated but lovable first-grader who, in director Kiera Lynn's Junie B. Jones in Jingle Bells, Batman Smells, is brought from page to stage, hilariously, by portrayer Natalie Scheers.

M: It’s the cast members, in character, telling you to put your cell phones away and all that, which perfectly sets the tone for all the fourth-wall-breaking in Life Sucks.

K: So much fourth-wall breaking. Does the fourth wall even exist here?

If anyone can parody a parody -- along with its early roots, its subsequent wannabes, plus a bunch of random stuff -- it's Calvin Vo and T Green, founders of the theatrical troupe Haus of Ruckus, and their posse of benign troublemakers. They do so spectacularly in Dojo to Go, now running at St. Ambrose University's Studio Theatre, written by the prodigious pair and directed by Vo.

Directed by Dana Skiles, My Son Is Crazy, but Promising boasts 15 actors, and while about half of the characters don’t especially move the plot along, there wasn’t anyone who didn’t bring their “A” game.

Shakespeare is the staple of theatre and has been for centuries. Augustana College’s latest production, The Comedy of Errors, presents one of the Bard’s more oft-told tales: that of two twins with identical names who get into increasingly absurd situations. Directed with aplomb by Jeff Coussens, this is a classic story for fans of laughter.

The Quad Cities’ theatre season is beginning to wind down for the year. So it follows that the holiday season must be ramping up, and the final production of Quad City Music Guild’s 76th season, Irving Berlin's White Christmas, is staged with plenty of charm by director Kevin Pieper, offering a pleasant-enough teaser of the tidings to come.

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