Everyone knows that Christmas is a time for peace on Earth and goodwill to men. Unless, of course, you’re an ever-opinionated but lovable first-grader who, in director Kiera Lynn's Junie B. Jones in Jingle Bells, Batman Smells, is brought from page to stage, hilariously, by portrayer Natalie Scheers.

M: It’s the cast members, in character, telling you to put your cell phones away and all that, which perfectly sets the tone for all the fourth-wall-breaking in Life Sucks.

K: So much fourth-wall breaking. Does the fourth wall even exist here?

If anyone can parody a parody -- along with its early roots, its subsequent wannabes, plus a bunch of random stuff -- it's Calvin Vo and T Green, founders of the theatrical troupe Haus of Ruckus, and their posse of benign troublemakers. They do so spectacularly in Dojo to Go, now running at St. Ambrose University's Studio Theatre, written by the prodigious pair and directed by Vo.

Directed by Dana Skiles, My Son Is Crazy, but Promising boasts 15 actors, and while about half of the characters don’t especially move the plot along, there wasn’t anyone who didn’t bring their “A” game.

Shakespeare is the staple of theatre and has been for centuries. Augustana College’s latest production, The Comedy of Errors, presents one of the Bard’s more oft-told tales: that of two twins with identical names who get into increasingly absurd situations. Directed with aplomb by Jeff Coussens, this is a classic story for fans of laughter.

The Quad Cities’ theatre season is beginning to wind down for the year. So it follows that the holiday season must be ramping up, and the final production of Quad City Music Guild’s 76th season, Irving Berlin's White Christmas, is staged with plenty of charm by director Kevin Pieper, offering a pleasant-enough teaser of the tidings to come.

Thanks to a wealth of talent onstage and behind the scenes, Miracle on 34th Street: The Musical is visually and aurally impressive. But Willson's material sometimes falls short of delightful.

The scenes featuring Savannah Bay Strandin and Stephanie Moeller were particularly engaging highlights of this Dial M for Murder.

Friday's opening-night performance of director Jane Watson's The Sunshine Boys drew lots of big laughs from a smallish crowd. This one definitely deserves a bigger audience.

K: I immediately thought that the tapes, as a plot device, were inspired by The Handmaid’s Tale. In that book, the heroine’s story is recorded on a series of cassette tapes. But you found a parallel in a different dystopian novel.

M: It reminded me of the mysterious films in Philip K. Dick’s novel The Man in the High Castle. But audience members will just have to see for themselves what the tapes are, and what they mean.

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