Given that the new Pope hails from Chicago, it’s likely you’ve heard an uptick of talk of that town in the last week or so. But let me tell you: There’s another Chicago you ought to be talking about, because the current production running at the Circa '21 Dinner Playhouse, directed and choreographed by Ashley Becher, is a visual spectacular and features, I wager, some of the best dancing I’ve ever seen on that stage.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Mischa Hooker, Kitty Israel, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

The final production of Augustana College's 2024-25 season is David Auburn's Proof, directed by Jennifer Popple, the college's assistant professor of theatre arts, and this professional-caliber production both impressed and moved me. It's sometimes disturbing, sometimes funny, and although heartbreaking, still left me hopeful.

To my joy, Girls' Weekend, now making its area debut at the Playcrafters Barn Theatre, is delightful. I laughed more than I have in a year of theatre.

Has it really been only three-and-a-half years since they won my heart with their first production "Jacques"alope? (Answer: Yes.) The founders of this comedic theatrical ensemble, T Green and Calvin Vo, are serving their latest smörgåsbord – Zooted Suits, a merrie medley of classic-cartoon parodies – at the Black Box Theatre. I'm ready! I'm ready! I'm ready!

K: Taking pleasure in the ridiculous is key to making this show work, and Zach Ulmer was clearly having a great time. The audience couldn’t help but follow suit!

M: Absolutely. I’d agree that Ulmer was the highlight of the show’s comedy, including some fun ad-libbed asides – and he has a strong singing voice, to boot.

M: No one's here for the story, are they?

K: No, we’re in it for the escapism! And fortunately, that’s exactly what this show is all about.

Titanic received five 1997 Tony Awards including Best Musical, Book, and Score, and Spotlight director Noah Hill and musical director Amy Trimble had a boatload of logistics, decisions, and inspirations to sort out. Their staging of this intricate, visually stunning spectacle is exemplary.

Defined as a comedic work that employs buffoonery and horseplay, farce typically includes crude characterization and ludicrously improbable situations. And on opening night, director Elizabeth Shaffer hit the nail on the head, because her production isn’t trying to be anything else.

Based on the kids’ picture book written by Melinda Long and illustrated by David Shannon, this upbeat little musical will leave you practicing your pirate vernacul-arrr and perhaps even wishing to sail the seven seas in pursuit of doubloons.

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