Kitty: This show definitely made an impact because we’ve both been singing the songs since Friday night.

Mischa: Curse you, Andrew Lloyd Webber!

The Richmond Hill Barn Theatre's Of Mice & Men is a skillful incarnation of this story, and director Justin Raver, alongside his cast and crew, brought it to vivid life in this production – one that's as stark and realistic as Steinbeck's words themselves.

With gags and asides to the audience, An All-American Riot has a vaudevillian vibe, often fast-paced and engaging, which unfortunately makes the slower scenes drag by contrast.

“Guests, like fish, begin to smell after three days.” Or so goes the quip famously attributed to Benjamin Franklin – and 157 years after Franklin’s death, Tennessee Williams’ renowned A Streetcar Named Desire was first performed, perfectly embodying Franklin’s quote.

Kitty: I adored this production – which honestly surprised me, because I’ve seen this musical performed elsewhere and … didn’t love it.

Mischa: I’ve never seen this show before, but also really enjoyed it. Okay, I’ll admit, the storyline is not amazing. But the execution was superb.

I’ll admit it: When I read the plot description of the Richmond Hill Barn Theatre's latest offering, The Money in Uncle George’s Suitcase, I presumed it was going to be a slightly predictable but funny little story.

M: Not to complain too much about the adaptation itself, but I think there’s a strange move to make Hyde’s attacks justifiable. He embodies emotional impulses that the hypocritical Victorian establishment, incarnated in the hospital board, doesn’t want to let free. But at this point, this makes Hyde look righteously indignant rather than evil.

K: I definitely agree with that. In the musical, Hyde becomes almost like Jekyll’s Tyler Durden.

If we don't see what happened, we must depend on what others say is the truth. But the truth isn't always visible. Does "the truth" depend on how many witnesses? Their reliability; their knowledge; their agenda?

Ripcord, now playing at the Spotlight Theatre, is a hoot, as well as an all-too-relatable piece of storytelling for those with ornery parents or grandparents. Sharply directed by Jessica Taylor, and featuring an incredible cast, this show is a charming addition to a long summer season.

M: Spencer Donovan’s set was truly amazing. I really liked the study, for example, tricked out with matching antique chairs and sofa, not to mention a spiral staircase that leads nowhere but was actually used very dramatically.

K: And the turntable also allowed for set adjustments to happen offstage, leading to some big reveals when a room came back into view. Seriously, I was in love with this set.

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