A lot of the action follows Aristophanes' original text. The rest is decidedly in the style of Calvin Vo and Tee Green.

Seeing and hearing Countryside Community Theatre's production of Hairspray has nearly stolen my words from me.

Kitty: Full disclosure: We once dressed as Mary Poppins and Bert for Halloween. We’re very serious about our Poppins lore.

Mischa: But we promise to be absolutely objective in our reactions to this show.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Mischa Hooker, Kitty Israel, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

True to Steve Martin’s storytelling sensibility, Bright Star is full of heart, laced with tragedy, and balanced by moments of laugh-out-loud humor. Oh, and there’s plenty of banjo.

I’ve never been disappointed to spend a Sunday in the park with Shakespeare, though I am grateful that, this past Sunday night, the weather was fairly mild for July. I admit to being only vaguely familiar with Antony & Cleopatra before the evening commenced, but I was not fully anticipating the story to be as epic as it was in director Alaina Pascarella’s production.

The Timber Lake Playhouse continues its hot streak with Waitress, directed and choreographed by Jennifer Hemphill. A crowd-pleaser through and through, with a charming book that's further buoyed by a wonderfully diverse cast of performers, this production is a saccharine slice of heaven.

Alexander Richardson calls this "a love letter to community theatre," and if you've ever been in a show, played on a team, had a job, been part of a family, or met at least one other person in your life, you may recognize at least some of these situations.

Consider this a "prom-vitation" to enjoy Quad City Music Guild's tuneful, touching, terrifically funny The Prom, its music by Matthew Sklar, lyrics by Chad Beguelin, and book by Beguelin and Bob Martin.

M: The comedy relies a lot on broad stereotypes, if you know what I mean.

K: (rolls eyes)

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