Quad City Music Guild’s summer season winds down with one of the big American musicals: Gypsy, directed here by Troy Stark, and featuring a score by Jule Styne, book by Arthur Laurents, and lyrics by an early-career Stephen Sondheim. And while there were a few rough spots during Friday’s opening-night performance, there’s still plenty to enjoy and Guild does a fine job of putting this classic piece on its feet.

Director Shelley Cooper, Augustana College's associate professor of theatre arts, and music director and accompanist Rob Elfline, professor of music at Augustana, have engineered another extraordinary production with Ordinary Days.

K: Dolly Parton famously said, “It takes a lot of money to look this cheap.” Likewise, it takes many hours of rehearsal to make a show look humorously under-rehearsed.

M: Ironically, it’s necessary to play a bad actor well.

Let it be known: My family and I are exactly the intended audience for the Timber Lake Playhouse’s current production of Disney's Frozen. We love the material. We love theatre. So in the words of everyone’s favorite animated snowman Olaf, “Put ‘em together, it just makes sense.” The good news? If you’re also a fan, chances are you’ll feel the same way about this particular production.

Kitty: Full disclosure: We once dressed as Mary Poppins and Bert for Halloween. We’re very serious about our Poppins lore.

Mischa: But we promise to be absolutely objective in our reactions to this show.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Mischa Hooker, Kitty Israel, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

The horrifying story told in The Diary of Anne Frank is now being lovingly presented at Moline's Playcrafters Barn Theatre, directed by accomplished actor Elle Winchester.

The Clinton Area Showboat Theatre closes out its 2025 season with a gorgeously sung tribute in director Amy Fritsche's Almost Heaven: The Songs of John Denver. What this revue by Harold Thau (who's credited for its “original concept”) is lacking in heart is more than made up by the live music played by the onstage actors, all of whom make Denver’s music ring.

A lot of the action follows Aristophanes' original text. The rest is decidedly in the style of Calvin Vo and Tee Green.

Seeing and hearing Countryside Community Theatre's production of Hairspray has nearly stolen my words from me.

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