One of history's most adored classical operettas enchanting audiences at Davenport's St. Ambrose University on June 20 and 22 when the talents of Opera Quad Cities debut Die Fledermaus, Johann Straus II's legendary 1874 work that's sure to deliver mischief, masks, laughter, and some of the area's most astounding voices.

A family-friendly treat that the River Cities' Reader said “bubbles with color, personality, and wit,” the sweet and hilarious musical Miss Nelson Is Missing! enjoys a June 20 through 29 run at Moline's Playcrafters Barn Theatre, the show based on a series of beloved, best-selling children's books by Harry Allard and James Marshall.

Described by Time Out New York as an “insanely fun mixtape musical” and by Variety as a show that “gleefully apes the worst excesses of the era's pole-dancing, crotch-grinding, big-hair-tossing movies,” the Broadway smash Rock of Ages enjoys a June 20 through July 6 run at Mt. Carroll's Timber Lake Playhouse, treating audiences to a celebration of 1980s chart-toppers that NY1 called “so cleverly staged and impressively performed that it's an irresistible, offbeat trip of a show that hits all the right notes.”

For Oedipus Rex, veteran director and actor Michael Callahan was wise to choose a translation by Ian Johnston, written in contemporary English, rather than an archaic version (i.e., one employing 17th-century "thou"s). We're also spared a script written in verse, as continued rhymes might've become irritating in a stage work lasting this long.

The Avenue Q book writer, a Tony Award-winning lyricist, a Pulitzer Prize-winning composer, and the creator of Hamilton collaborate on a musical that's a hybrid of Hairspray, Mean Girls, and Sister Act II. You in? You should be.

M: With its familiar storyline, a lot of talent on and off stage, and a full helping of over-the-top silliness, it really hits most of the right notes.

K: You know who was hitting all the right notes?

M: Could you possibly mean Lauren VanSpeybroeck and Casey Scott?

K: I could!

It’s really a shame there are only six performances left of Arthur & Friends Make a Musical!, because truly, the Circa '21 Dinner Playhouse's latest family entertainment was a fun show full of surprises and little touches that make the hour fly by. From the cast taking over the pre-show announcements to dancing off stage to a certain theme song, director Kiera Lynn’s small-but-mighty cast packs a big, big punch.

Courtney Crouse and Tommy Ranieri are both enthusiastic theatre directors who are taking on recent roles as artistic directors of, respectively, our area's summer-stock organizations the Clinton Area Showboat Theatre and the Timber Lake Playhouse. Their passion for the craft and their new summer homes were obvious in recent interviews about the theatres located just 24 miles apart, one on each side of the Mississippi River.

For the company's annual classical production staged in Iowa City's Lower City Park, Riverside Theatre takes on perhaps the most beloved – and certainly the most famous – tragic romance of all time, with William Shakespeare's timeless Romeo & Juliet enjoying an outdoor run from June 13 through 29.

It must be summer again, because on Friday night, I found myself on my annual pilgrimage north through hordes of mayflies to attend the start of the new Timber Lake Playhouse season. Critiquing shows is always a bit of a dice roll: Will it be moving or boring? Director Tommy Ranieri's Saturday Night Fever is more of the former, and an extraordinary start to the summer-stock season.

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