As Oregon-based playwright Michael Wehrli is the author of Titanic Aftermath - the historical drama being staged at Moline's Playcrafters Barn Theatre May 11 through 20 - I initially presume that he's seen James Cameron's Oscar-winning movie. In our April 25 phone interview, he tells me he has, and that it was even the inspiration for his play.

That's not exactly the compliment it might seem, though, considering he calls Cameron's Titanic "visually stunning and incredibly, maddeningly frustrating because of the fictional characters.

"I mean, they took up half the story," says Wehrli of the young lovers played by Leonardo DiCaprio and Kate Winslet, "and it was the actual survivors' stories, to me, that were ... interesting. That, and the corporate-negligence side to the tragedy, which is hardly ever addressed in dramatic form.

"So I thought, 'All right, well, I'm just going to write a play about all this.'" Wehrli laughs. "'How the hell do I do that?'"

A musical based on the Weekly World News' tabloid-famous Bat Boy screams "camp." Augustana College's production of Bat Boy: The Musical, however, is not campy enough, as a couple of the leading actors played their parts too seriously or sincerely during Friday's performance, softening the effect of this musical's craziness.

Brad Hauskins elicited the largest laughs during Friday's performance of Spreading It Around at the Circa '21 Dinner Playhouse, starting with the moment he first walked onstage with his frozen-hip shuffle. His psychologist character Dr. Ward doesn't actually appear until the middle of the second act of this comedy, which concerns the efforts of the widow Angie to share her wealth (and that of her fellow retirees) with those in need, rather than leaving it to their ungrateful children. But with little stage time, Hauskins squeezes out every ounce of comic possibility from his role, relishing his awkward pauses, and dryly delivering his lines with the slightly high-pitched, mildly shaky voice stereotypical of the elder person he's portraying.

Playwright Tom Dudzick's Don't Talk to the Actors seems a good fit for the actors at Scott Community College. This story of a young playwright's first play to be produced in New York City includes a range of characters to suit many acting styles - from meek and innocent to hammy and bawdy - and director Steve Flanigin's cast elicited many laughs during Thursday night's handling of Dudzick's material.