Among Bye Bye Birdie's signature numbers is the show-tune staple "Put on a Happy Face," and barring one intentionally, gloriously sour exception, the cast for the Clinton Area Showboat Theatre's winning and energetic production of this Broadway warhorse has done just that.

Three hours goes by quite quickly during Genesius Guild's well-paced, oftentimes hilarious production of William Shakespeare's Measure for Measure. While the piece is considered a "problem play," as the script defies the expectations of a traditional comedy, director Jeff Coussens highlights the work's ample amounts of humor, particularly in the production's first half. And with Coussens and his cast punching up every punchline through inflection and a sort of "nudge-nudge, wink-wink" attitude, I ended up laughing harder at Saturday's presentation, I believe, than I've ever laughed while watching a Shakespeare performance.

Local audiences have seen married actors Jonathan and Rochelle Schrader appearing opposite one another numerous times over the years: in Oper a@ Augustana's The Pirates of Penzance and The Mikado; in the former Green Room Theatre's Into the Woods; and in Quad City Music Guild's Babes in Toyland.

But with Countryside Community Theatre's presentation of The King & I, running June 22 through 30 at Eldridge's North Scott High School, patrons will see the Schraders interact in a way that, on-stage at least, they never have before.

"This is the first time we've actually gotten to play semi-romantically together," says Jonathan, who enacts the titular, short-tempered King of Siam - a role made legendary by Yul Brynner - opposite his wife's stalwart schoolteacher Anna. "I've played her father several times, and I tried to kill her in Babes in Toyland, but ... ."

Speaking with producer Dennis Hitchcock prior to Friday's Circa '21 Dinner Playhouse performance, my partner thanked him for staging Legally Blonde: The Musical. And while I understand that many of Circa '21's patrons love their Church Basement Ladies, I share my partner's gratitude for the opportunity to see a bona-fide Broadway hit gracing Circa's stage. Having seen the production, I also appreciate how well director Jim Hesselman handled the material, playing up the bubbly, colorful fun of this stage version of the Reese Witherspoon movie.