The plot for Waiting for Godot, currently running at Moline’s Black Box Theatre, is rather simple: Two men wait near a tree for the infamous Godot. It’s unclear how many days they’ve already been waiting, or how much longer the wait will take. How the men pass time makes up the meat of this story, and Samuel Beckett’s absurdist classic ultimately grapples with the age-old question: What does it all mean?

An absurdist classic made newly relevant by the global pandemic, the legendary tragicomedy Waiting for Godot enjoys an October 22 through 31 run at Moline's Black Box Theatre, with Samuel Beckett's timeless story of hope amidst existential dread described by New York Stage Review as “the great play of the 20th century.”

Family. Love. Money. Major occupiers of our time; continual goals and sources of both stress and joy. We want them and work for them, or in spite of them. They facilitate our dreams, or get in their way. We race toward our desires until Death, who always wins, tells us we're done.

An 1882 stage classic that the New York Times, in 2018, called “suddenly as timely as a tweet,” Henrik Ibsen's An Enemy of the People (adapted by Tom Isbell) will be presented in radio-play format – and on radio station KALA 88.5 FM – by the St. Ambrose University theatre department October 2 through 11, its tale of a fight against injustice perhaps even more relevant now than it was in the 19th century.

If Halloween is approaching, it must be time for that annual theatrical command: “Let's do the 'Time Warp' again!” Consequently, the Circa '21 Speakeasy will stage its fifth-annual presentation of the cult-musical smash The Rocky Horror Show from October 3 through 31, treating audiences to live performances of classic songs in this nutty, interactive experience.

With its author praised by the New York Times for “his knack for telling stories that, at the very moment when they seem to be settling into predictable paths, throw in a zinger,” Jeffrey Hatcher's darkly hilarious Three Viewings enjoys a September 24 through October 3 run at Moline's Black Box Theatre, the playwright lauded by the Los Angeles Times for “his gifts [that] are distinctive, unmistakable, and quite a bit of fun to boot.”

It’s been a painfully long wait, but I finally got to crack open my new notebook and fresh pen for Wednesday night's performance of The Savannah Sipping Society at the Circa '21 Dinner Playhouse.

Two powerhouse vocal legends will be celebrated by one supremely gifted Augustana College professor at the Circa '21 Speakeasy on September 12, with area stage performer, director, and instructor Shelley Cooper showcasing the musical talents of her musical idols Mary Martin and Ethel Merman in the exuberant one-woman show Mary & Ethel: How I Learned to Sing.

Returning with the venue's first mainstage production since theatres everywhere closed in mid-March, the Circa '21 Dinner Playhouse is set to bring audiences loads of laughs and warmth in the area debut of The Savannah Sipping Society, a new comedy of eternal friendship by the authors of such beloved stage works – and previous Circa '21 hits – as The Dixie Swim Club and Mama Won't Fly.

Performing an evening of beloved song classics both under the stars and “Under the Sea,” local talents will fill the parking lot of Moine's Spotlight Theatre in the September 4 and 5 presentation A Night of Disney, with some of your favorite area talents lending their theatrical gifts to much-adored repertoires ranging from The Little Mermaid to The Lion King to Beauty & the Beast.

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