As it was a technical dress rehearsal with four days to go before opening night, it was understandable that the March 19 presentation of Quad City Music Guild's Beehive encountered a few glitches. The scene transitions were on the poky side; it was often unclear, during the frequent medleys, whether musical numbers were supposed to end with applause or not (there were a few too many uncomfortable pauses); and the sound, during Act I especially, obviously needed polish - the over-amplification on the opening number, in particular, was painful.
But when all was said and done, there was only one thing sorely missing from this presentation: An audience. Because when Beehive's performers finally get one, this thing is gonna go through the roof.
Before introducing longtime mentor Don Wooten, host Kai Swanson said of his morning's duties, "My job is simply to keep things moving along, which I'll fail at right now. I understand from the program that our next speaker has five minutes, and when I saw that on the program, I told the organizer [New Ground Theatre's Chris Jansen], 'Good luck.' Because although he is one of the most gifted communicators I have ever known, he does believe - as do the ends of J.R.R. Tolkein's Lord of the Rings - that anything worth saying is worth saying lo-o-o-ong."
In his recent roles at the Playcrafters Barn Theatre, Patrick Adamson - portraying the insistent houseguest from hell in 2005's The Nerd and the irresponsible, romantic Gordon in the current Catfish Moon - has displayed an almost fearsome amount of talent.
300
With all due respect to The Departed, the actual best picture of 2006 was one that didn't come to a theatre near you ... or, for that matter, to a theatre near anyone else.
Turn-of-the-20th-Century Davenport - its riverfront Bucktown area rife with saloons, speakeasys, and brothels - was, in its time, widely considered "the wickedest city in America." But Ballet Quad Cities' Matthew Keefe found a description he likes even more.
WILD HOGS
