With the event held in partnership with Ascentra Credit Union, Hola America, and LULAC, Davenport's Figge Art Museum will house a delightful Día de Los Muertos celebration in the October 15 Day of the Dead Family Fiesta, an afternoon-long tribute honoring the memories of passed loved ones through music, dance, food, and community.

Hailed by the Irish Times as "a dauntingly comprehensive and beautifully filmed study," director Aoife Kelleher's 2014 documentary One Million Dubliners serves as the third screening in the Bettendorf Public Library's Global Gathering Ireland film series, the October 11 screening exposing viewers to the national necropolis that is Ireland's Glasnevin Cemetery, the final resting place for 1.5 million souls.

Founded in 2015 by the Quad Cities Cybersecurity Alliance and presented by the Docent Institute, the ninth-annual CornCon – an event designed to raise community awareness and provide business solutions for dealing with cybersecurity threats – will boast breakout sessions, expert speakers, panels, tutorials, vendors, a tech expo, children's activities, awards presentations, and more on October 6 and 7, this year's Davenport RiverCenter event titled The Rise of AI.

On display at Davenport's Figge Art Museum through January 8, the arresting historical exhibition Art & Activism at Tougaloo College will explore the inception of this distinctive collection at the intersection of modern art, education, and social justice, and in doing so, will highlight Tougaloo’s evolution as a center for vanguard European and American art shaped by interracial collaboration and the pursuit of civil rights.

A collaborative art exhibition with a seasonally appropriate spooky theme, The Mysterious Disappearance of Miss Haylee will haunt Rock Island's Quad City Arts Center through December 1, this delightfully spine-tingling event blending the collective talents of area visual artists Heidi Hernandez and Bruce Walters alongside those of local author Michael McCarty.

Held in conjunction with the nationally touring Art & Activism at Tougaloo College, an exhibition celebration and curator talk will be held at Davenport's Figge Art Museum on October 12, the evening featuring a presentation by Turry M. Flucker, former Director and Curator of the Tougaloo College Art Collections and current Vice President of Collections and Partnerships at the Terra Foundation for American Art.

An enchanting story for all ages boasting a wonderful dose of humor, the majesty of classical ballet, and a fulfilled promise of “happily ever after," the nationally touring World Ballet Series' Cinderella brings their glass slippers to Davenport's Adler Theatre on October 11, this beautiful fairytale told by 40 professional dancers, and featuring gorgeous hand-painted sets and vivid hand-sewn costumes.

Interspersing his humorous observations on life with twisted, inventive, bizarre songs sung and played in a variety of styles, the genre-defying entertainer Heywood Banks takes the stage at Davenport's Rhythm City Casino Resort Rhythm Room on October 12, his standup earning the artist first place in the Johnnie Walker Comedy Search Contest and his musical genres ranging from folk, to country to rock and beyond.

Participating in a special virtual program co-presented by the Rock Island Public Library and Illinois Libraries Present, a bestselling writer will tackle a seasonally appropriate genre in the October 4 online event Horror with Stephen Graham Jones, a conversation with the Blackfoot Native American fiction author whose most widely known works include the horror novels The Only Good Indians, My Heart Is a Chainsaw, and Night of the Mannequins.

A 2022 Tony Award winner that Variety magazine praised as "filled with depth and relatable characters," author Dominique Morisseau's drama Skeleton Crew enjoys its Quad Cities premiere at Moline's Playcrafters Barn Theatre from October 6 through 15, the lauded work also praised by the New Yor Times as "a swift, well-crafted look at factory workers trapped in an economic 'dumpster fire," and by the New Yorker as a work "bristling and jumping and speeding forward with skillful talk."

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