In a unique blend of music and dance launching the 2021 Adler Theatre Foundation Series – a selection of eclectic live performances featuring celebrated national touring artists and lauded local talents – professional dancers from Ballet Quad Cities and professional musicians from the Quad City Symphony Orchestra take over the Davenport stage on May 29, treating audiences to choreographed favorites from the BQC repertoire and QCSO talents Kit Polen, Bruno Vaz da Silva, and Emily Nash delivering Music of Appalachia.

Returning to Rozz-Tox, for the first time in many months, with new readings in the popular SPECTRA series, the Midwest Writing Center brings a trio of lauded literary talents to the Rock Island venue on May 22: spoken-word author and poet KayLee Chie Kuehl, winner of the University of Iowa Chapbook Prize; Xixuan Collins, author of Flowing Water Falling Flowers; and Augustana College's Beth Powers, who will read from her new book Like You.

One of the most horrific periods of modern history will be explored through unique and specific avenues when Davenport's German American Heritage Center hosts the virtual program Fashioning Women in the Third Reich, in which award-winning historian Irene Guenther, on May 23, will look at the rise of fascism through the fascinating prism of couture.

An esteemed instructor from the the University Mozarteum Salzburg will explore musical traditions an hour from the Quad Cities in the virtual presentation The Singing of the Amish in Kalona, a May 16 presentation hosted by Davenport's German American Heritage Center, and one offering fascinating insight gleaned by historian and author Thomas Nussbaumer.

The life and accomplishments of Quad Cities namesake will be showcased in Bettendorf Public Library's latest virtual presentation in its popular “Community Connections” series, with local historian Gena Schantz, in the May 20 program George Davenport & the Founding of the Quad Cities, tracing Davenport's many careers and examining how he adapted his talents to serve and foster the development of the communities that surrounded him.

Delivered as part of the Davenport Public Library's virtual 3rd Thursday at Hoover's Presidential Library & Museum programming, the May 20 Zoom webinar Iowa's Communal Utopias will find Peter Hoehnle delivering a sweeping overview of different attempts by Iowans to create their own form of utopia featuring the Iowa Pioneer Phalanx, Salburia, the Icarian Communities, the Clydesdale Colony, Communia, and, principally, the Amana Colonies

One of the most popular recent series for binge-watching will be explored, and critiqued, in a special virtual presentation on May 20 with the Figge Art Museum's hosting of Why Did “Bridgerton” Erase Haiti?, Dr. Marlene L. Daut's webinar discussion of her article of the same title that examines the black aristocracy present in Haiti during the English Regency era, and how the Caribbean is often ignored by historical costume dramas such as Netflix's Bridgerton.

Accompanied by an entire repertoire of jazz standards and iconic pop hits, a 2005 graduate of Rock Island High School returns to the Quad Cities when the Matt Barber Trio plays a live concert event at Davenport's Grape Life Wine Store & Lounge on May 28, an evening that will find Barber and his longtime touring musicians performing classics from the five albums he has recorded since 2007.

Movie lovers with a firm grasp of recent(-ish) film history can show off their smarts when Bettendorf venue The Tangled Wood hosts 2000s Movies Trivia Night, a May 18 event in which area cinephiles are invited to trade their knowledge for cash prizes while answering questions on cinematic works in the decade of Erin Brockovich, There Will Be Blood, The Dark Knight, and Up.

Praised by the New York Times for his “unblinking alertness” and delivering “a new kind of oddity and a renewed sense of provocation about painting,” a lauded artist will be the subject of the virtual May 16 presentation In Conversation: Jeremiah William McCarthy and Walter Hatke, in which McCarthy – the National Academy of Design's curator and co-curator of For America: 200 Years of Painting from the National Academy of Design speaks with Hatke about how his practice resonates with the work of the artists featured in the exhibition.

Pages