Thirty years on, black metal has come to be about more than lo-fi recording, buzzsaw guitars, and hatred for Christianity. Even in its tumultuous infancy, reverence for and celebration of nature was an inspiration for many bands, tying in with their pagan leanings. Following close behind was a folk music influence, with or without the use of acoustic instruments. These influences caught on like a forest fire, and in 2023 are commonplace. In context, then, the show at the Raccoon Motel in Davenport on Saturday, February 25 is not quite as outlandish as it may appear on the surface.

January is a right proper time to rest and rebuild, and if any business has earned that respite, it's Rozz-Tox – the Rock Island spot has spent more than a decade functioning as a music venue, art gallery, café, bar, hostel, and all-in-one “culture hub,” weathering the plague and coming out on the other side with fresh ideas, including all-vinyl DJ nights curated by local and regional musicians and knowledgeable non-musicians. The venue is breaking its winter's rest for two special events: an experimental show at the end of the month, and, on January 21, the formal QC headlining debut of Running Man.

We've widened our acoustic lens this year and are pleased to present top five to 10 albums of the year from 16 disc jockeys spinning tunes at two independently owned radio stations and three prolific local musicians/artists. The styles range from country to death metal, from indie pop to jam bands, from blues to roots and everything in between and around the edges. There are legends such as Buddy Guy and Elvis Costello. There are bands with such names as Fat Earthers and King Gizzard and the Lizard Wizards. The lists include live concert recordings from mega-stars including the Rolling Stones and Tom Petty, both from 1977. Who knew iconic artists Jimmy Cliff and the Dropkick Murphys were still making music?!

Joe Bonamassa is the biggest name in blues-rock today. The former child guitar prodigy has risen to stardom with virtually zero major-label support, instead forming J&R Ventures with manger Roy Weisman and producer/A&R man Kevin Shirley to bypass the fickle, meddling, trend-and-profit driven nature of the record companies and bring Bonamassa's music directly to the people.