The three Quebe sisters – Hulda, Sophia, and Grace – had played the violin before they attended their first fiddle competition back in 1998. But something clicked with the Texas-style music they heard at the event, and within a year they were themselves competing.

When I asked Bob Herrington how business was at his Ragged Records store, his answer was a shrug. “It’s good enough,” he said. “I sell records. I’m not going to get rich.”

Ragged Records, of course, specializes in new and used vinyl just off the Government Bridge in downtown Davenport, in a shared space with Trash Can Annie. Prominent in the store is a display showcasing eight LPs – all bearing the name of Cartouche Records, which Herrington also runs.

And the words meant for Ragged Records could easily apply to the two-year-old label. “It’s not a money-making venture at this point,” Herrington said of Cartouche. “If I can do it, and put out a few releases a year, and not lose a ton of money, I’m going to continue to do it.”

Omaha, Nebraska-based See Through Dresses is about to take the leap from ’80s- and ’90s-informed rock to a cleaner, synth-driven sound with its upcoming record.

The core of the Mexican-music-influenced folk outfit David Wax Museum is the husband-and-wife duo of David Wax and Suz Slezak, and they were becoming a father-and-mother duo as their fifth album was being written.