On September 30, to better my life and society, I stood in line at HyVee for tickets to this weekend's Limp Bizkit/Eminem show. I knew I was a bit out of place when the ticket lady came outside and said she could get floor seats for all of us, and I was the only one who said, "No! Lower bowl, please.
There might be nothing more difficult in rock music than crafting a good pop song. Except to make a couple albums full of them. Pop songs are so tricky because they need to sound effortless and ebullient while being catchy and tight – and that requires hard work, which makes effortless and ebullient all that more difficult.
I dig Chicks. Not just because they have perfect harmony. Not just because they are superior instrumentalists. And not just because they are trendy, creative, and fun. I dig the Dixie Chicks because while they take their jobs seriously, they also know that they have to laugh along the way.
These ones are really doing it for the kids! The new just released Gizmodgery CD from Self takes kids' play up a notch as the entire disc uses everyday toy instruments - and nothing else - whipping it all up into a clanking, churning delight with Beck-esque playfulness and Prince-esque funk.
After a summer of anticipation, the Quad City Symphony Orchestra (QCSO) kicked off its 86th season Saturday, October 7, at the Adler Theater. The mammoth performance of Shostakovich’s Fifth Symphony, the intimate emotion of Mendelssohn’s Violin Concerto in E Minor, and even the rabblerousing overture to Verdi’s opera Nabucco delighted the senses.
With few surprising pieces, this year's Quad City Symphony Orchestra season is best described as "solid." By relying on repertoire mainstays like Beethoven's Third Symphony, Brahms' Fourth, and the Verdi Requiem, music director and conductor Donald Schleicher has created a season that will surely please the Adler crowd but offer them sparse originality.
You remember rock, don’t you? That arena sound that required no hair spray, no leather, no preening, no showy solos, no attitude? The only things you needed were guitar, drums, bass, and a singer. That’s exactly what the local band Blue Ash Ink has on its self-titled, self-released album.
The new Limp Bizkit album, Chocolate Starfish and the Hot Dog Flavored Water, is due this coming Tuesday on the Flip/Interscope label and features a funky Willie Wonka & the Chocolate Factory-esque twist. Purchasers might be lucky enough to find a randomly inserted "golden ticket" and autographed gold CD inside a handful of the first pressing of discs.
Film director Baz Luhmann has consistently turned heads and ears with his visually stunning work like his William Shakespeare's Romeo + Juliet, Strictly Ballroom, and monster hit "Everybody's Free (To Wear Sunscreen).
Progressive rock has never been cool. It has sometimes been respected, but those periods have been fleeting and hastily apologized for. The genre had many practitioners in the early 1970s, bands unafraid of releasing 30-minute pieces (they can’t properly be called songs) rife with self-indulgence and pomposity.