Cartouche Records' Bob Herrington at his Ragged Records store.

When I asked Bob Herrington how business was at his Ragged Records store, his answer was a shrug. “It’s good enough,” he said. “I sell records. I’m not going to get rich.”

Ragged Records, of course, specializes in new and used vinyl just off the Government Bridge in downtown Davenport, in a shared space with Trash Can Annie. Prominent in the store is a display showcasing eight LPs – all bearing the name of Cartouche Records, which Herrington also runs.

And the words meant for Ragged Records could easily apply to the two-year-old label. “It’s not a money-making venture at this point,” Herrington said of Cartouche. “If I can do it, and put out a few releases a year, and not lose a ton of money, I’m going to continue to do it.”

Chrash

Six seconds into Chrash’s “Midwest Sky” is a throw-away sound that illustrates the band’s method for Things My Friends Say: the light ping of a coin being flipped.

See Through Dresses

Omaha, Nebraska-based See Through Dresses is about to take the leap from ’80s- and ’90s-informed rock to a cleaner, synth-driven sound with its upcoming record.

Pinegrove

On Pinegrove’s latest album, Cardinal, Evan Stephens Hall shows a knack for speaking in an accessible and unpretentious way about the struggles many people face. His lyrics read like people in their 20s actually talk.

David Wax Museum. Photo by Claire Roeth.

The core of the Mexican-music-influenced folk outfit David Wax Museum is the husband-and-wife duo of David Wax and Suz Slezak, and they were becoming a father-and-mother duo as their fifth album was being written.

Shawn Holt. Photo by Linda Cunningham.

Shawn Holt would regularly ask his father – the Chicago-blues legend Magic Slim – when he could become a member of his backing band, the Teardrops.

Dylan LeBlanc

When he began working on his latest album, singer/songwriter Dylan LeBlanc became interested in how people act a certain way.

The Low Down

The debut album from the Quad Cities instrumental ensemble The Low Down, 7 has a clearly defined sound with its jazzy funk, bright keyboards, and concisely well-spoken guitar against the busy percussion patterns. Fans of Carlos Santana’s distinctive fusion will feel right at home in the record’s smooth, comforting stew.

C.W. Stoneking. Photo by Kane Hibberd.

In a way, C.W. Stoneking’s Gon Boogaloo brings the Australian singer/songwriter/guitarist back to his childhood.

Har Mar Superstar

Har Mar Superstar’s latest album, Best Summer Ever, doesn’t always have the fun vibes one would expect given the title. Listen to “How Did I Get Through the Day,” a ballad that wouldn’t have sounded out of place on AM radio 60 years ago, for example. “I’m all alone, watching the phone,” sings Sean Tillman, who performs under the name Har Mar Superstar. “But you ain’t coming home.”

The song’s longing feels perfectly at home on Best Summer Ever. Many of the tracks focus on departures and yearning, such as closing track “Confidence” and the synthesizer-driven version of Bobby Charles’ “I Hope.”

Yet maybe these songs aren’t in conflict with the album’s title. Summertime is fleeting, as is the youth with which summer fun is most commonly associated.

Tillman explained the name of the sixth Har Mar Superstar record, which was released last month, in a phone interview ahead of his May 15 appearance at Daytrotter’s Davenport venue. “It’s something I say when people ask me to take photos with a group of friends, or if people are toasting,” he said. “No matter what time of year, I always say, ‘Best summer ever.’”

There’s more to the title than just being a goofy refrain Tillman uses with friends: “Since the album’s also kind of melancholy at a lot of points, I think that it’s got a nice kind of haunting, weird, sad vibe as well.”

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