10
Oct
2016
In an October filled with local theatre that includes the likes of Shakespeare, Sam Shepard, and Flowers for Algernon, I was shivering with anticipation: What show would I be assigned this month? Could I handle the depth and power of a classic? Finally, the e-mail came, and I was given the sweetly daunting task of examining one of the most astounding, bucket-list theatrical works I could ever review. Yes! Yes!! YES!!! Thank the theatre gods! I could finally revisit my late teens to dissect the '70s cult classic The Rocky Horror Show!
What starts as a theatre audition quickly becomes something entirely different in the QC Theatre Workshop's second production, Private Eyes. And this change from what's real to what's ... well ... something else is something I don't want to fully describe, because such a shift happened several times - and at very unexpected moments - during Friday's performance, making the evening a bit of an intriguing thrill that repeatedly piqued my curiosity.
The fleet, funny noir opening to the Circa '21 Dinner Playhouse's Bootlegger revue The World Goes 'Round is actually quite misleading, as it bears almost no resemblance to the show that follows. Yet rarely have I been so happy to be misled, because the show that follows is a real beauty - thoughtful and nuanced and serious, and oftentimes boasting a gravity and sadness that, coming from the Circa '21 stage, feels legitimately shocking.
Good God, is the Circa '21 Dinner Playhouse's All Shook Up fun. The high energy on stage kicks into overdrive with the first song, "Jailhouse Rock," and barely lets up as the cast sings, dances, and emotes its way through many of Elvis Presley's hits. I was thrilled with the opening-night performance, and my lingering excitement has me still smiling as I write this the day after seeing the jukebox musical.
The Circa '21 Dinner Playhouse's Jack Frost Saves Christmas is the most adorable children's play I've ever seen. Okay, it's also the only children's play I've seen since... well, since I was a child. Still, it brought out the kid in me as I danced and sang along - at the appropriate, invited times, of course - and I wasn't alone; the children in attendance at Saturday's performance, including the two I brought along with me, laughed and danced and shouted exclamations of delight at the play's proceedings.
Clocking in at just under 50 minutes at the opening matinée, the Circa '21 Dinner Playhouse's (under) 21 Youth Theatre's adaptation of Go, Dog. Go! is a great opportunity for preschool and early school-aged kids to experience their first local-theatre production. (In retrospect, I could've even taken my 20-month-old daughter, along with a Snack Trap and three refills of Cheerios.) The show features a series of simple vignettes plucked from the pages of P.D. Eastman's 1961 children's-book classic about the friendship between six adorable canines. And while the general lack of dialogue or a steady plotline may bore some adults, the rudimentary yet whimsical scenes and characters will likely appeal to the under-10 crowd.
It's been more than 20 years since I read Harry Allard's series of "Miss Nelson" children's books, but it's hard to forget Viola Swamp, "the meanest substitute teacher in the whole world." Miss Nelson Has a Field Day, currently playing at the Circa '21 Dinner Playhouse, features Swamp (Liz J. Millea) as the no-nonsense alter-ego of Miss Nelson, the kindly math teacher at Horace B. Smedley Elementary School. The show is as funny as I remember the books being, and judging from the laughter that was constantly erupting from the audience of mostly elementary-school students at Friday's matinee performance, I wasn't the only one who thought so.
