16
Dec
2008
There was no lack of spectacular work done in area theatre this year, and the following list is hardly exhaustive. But if you were fortunate, you caught at least a few of these 12 performances in 2008; whether taking on a leading role, a supporting role, or (in one case here) the only role, these gifted artists commanded the stage. And, hopefully, your attention.
Sydney Crumbleholme, a freshman at Moline High School, plays the title character in the Playcrafters Barn Theatre's current Anne of Green Gables, and I doubt there has been a better, more inspiring piece of casting on area stages in all of 2008.
During a recent post-show conversation, an actor friend and I agreed that perhaps the most exciting moments at any theatrical production are those few seconds before the production even starts, when the lights dim, cell phones (please God) are turned to silent or vibrate, and the venue becomes alive with possibility - with the awareness that, in this live art form, absolutely anything can happen.
In the Playcrafters Barn Theatre's current production of Crimes of the Heart, Ashley Hoskins portrays Babe, the youngest and most eccentric of playwright Beth Henley's Magrath sisters, and the actress is like a nervous breakdown on legs.
Horton Foote's The Trip to Bountiful - which is opening the Playcrafters Barn Theatre's 2008 season on an awfully sweet note - is a lovely piece of theatre, but it's such an earnest, delicate little play that it requires all the effrontery and sass it can get.
So enough of my opinions already. The following are reflections by Derek Bertelsen, Tyson Danner, Kristofer Eitrheim, Kimberly Furness, Jennifer Kingry, Mandy Landreth, J.C. Luxton, Jackie Madunic, Angela Rathman, Jalayne Reiwerts, Susan Simosky, and Doug Tschopp - local-theatre artisans who enjoyed a memorable 2007.
Choosing a favorite line of dialogue from A.R. Gurney's Sylvia is nearly impossible, as the playwright's hysterically clever and insightful comedy offers almost too many choices; some of Gurney's best jokes here are so spectacularly subtle that you barely register them. ("Just close your eyes and think of England" is an especially sharp throwaway.)
On August 17, the 
On Friday night, I attended a comedic farce that featured slamming doors, mistaken identities, gunshots, an unhelpful cop, a heavily accented mobster, an attractive woman getting sloppy drunk, and a finale that found characters staring with amazement at a briefcase filled with cash.
It may seem like an odd thing to praise right off the bat, but in Swinging on a Star - the musical revue currently playing at the Playcrafters Barn Theatre - director/choreographer Cindy Ramos-Parmley delivers some absolutely first-rate scene transitions.
