Kayla Lansing and Sam Jones in ParadeWas it justice or discrimination? That is what you'll likely be asking yourself after leaving St. Ambrose University's production of Parade. It takes a mature, professional cast to pull off a musical centered around racism, bigotry, and murder, but these actors do just that. Director Daniel Rairdin-Hale brings the true story of the trial of Leo Frank and its aftermath to life in such a way that I entirely forgot I was at a student production, and Thursday night's dress rehearsal was as close to show-ready as possible.

Matuto, photographed by Vincent SoyezDepending on the source, the English-language equivalent of the Brazilian slang term "matuto" appears to be "country boy" or "bumpkin" or "hillbilly." What it absolutely isn't is "critically lauded ensemble selected as American Musical Ambassadors for the U.S. State Department."

Yet that is indeed a fitting description for the capitalized Matuto, the sextet of touring musicians appearing locally as Quad City Arts' latest Visiting Artists. After a week spent conducting workshops and performing for area students, these dynamic, adventurous artists and educators will present a September 21 concert at St. Ambrose University's Galvin Fine Arts Center, where they hope to excite many more listeners with the infectious thrill of Brazilian bluegrass.

That's right: Brazilian bluegrass. Don't feel embarrassed if you've never heard of it.

Kiran AhluwaliaHer first CD, Kashish - Attraction, earned her a Best Global Album nomination at the 2002 Juno Awards, the Canadian equivalent of the Grammys. Her second, 2003's Beyond Boundaries, received the Juno for Best World Music Album of the Year. Her latest, 2011's Aam Zameen - Common Ground, made her a two-time Juno winner in that category.

Consequently, the estimable world musician and frequent touring artist Kiran Ahluwalia must be feeling relatively secure about career longevity, yes?

"No," says the Indo-Canadian singer/songwriter, with a laugh, during a recent phone interview. "Oh, God, no.

"I mean," she continues, "I released my fifth CD last year, and I've been doing this full-time for 12 years now, and I definitely feel like I have enough gigs lined up for the next two years. But there really isn't any security in my portion of the industry. So you kind of have to have short-term plans - a year down the road, two years maximum. Because after that, who knows what's going to happen?"

At the beginning the school year, in a chemistry class at St. Ambrose University, Professor Margaret Legg offered students the option to buy a less-expensive e-book instead of the usual physical textbook. No one opted for the digital version.

Kelsey Berg, a sophomore majoring in biology, said she had already bought the hardcover edition. Had the e-book been offered before she bought it, Berg said she still wouldn't have purchased it. "I don't like reading on a computer. It's hard to concentrate," she said, adding that it wasn't worth the cost, either, because one can't sell an e-book back.

Many college students are embracing digital and open-source textbooks, which are accessed through computers and digital readers such as Amazon's Kindle. For some, it provides a more convenient way to carry multiple textbooks. Beyond being easier on students' backs, e-books are also better for the environment, because no natural resources are used in the production or transportation of a physical book.

But the major selling point is a lower cost compared to new textbooks. Textbooks cost an average of $900 per semester, according to the federal Government Accountability Office. The U.S. Public Interest Research Group (PIRG) has been advocating for reducing the prices of textbooks, which they say have risen faster than the rate of inflation in the past several years.

Although e-books are often 50 percent less expensive than unused print editions of textbooks, the cost evaluation isn't quite so clear-cut. In many cases, there's little or no cost savings to students in the long run.

And some people, like Berg, resist e-books for other reasons.

Essentials Tyson Danner (left) and James Bleecker (standing), with Jackie Madunic and Jason Platt, in Angels in America: Perestroika For the third year in a row, I've composed a list of 12 area-theatre participants who devoted their time, energy, and skills to numerous theatrical organizations and venues during the past year. And once again - happily and inspiringly - it hasn't been necessary to repeat names from one year to the next; local theatre, to the great good fortune of local audiences, never seems to run out of talent.

Tom Walljasper, Sandra D Rivera, Tristan Layne Tapscott, and Erin Dickerson in Are We There Yet Five Extraordinary Ensembles

An actor friend of mine says he always wants to be the worst performer in everything he's in, because if the rest of the cast is doing stronger work than he is, that means the show is in really, really good shape. With that in mind, any actor worth his or her salt would be thrilled to be the worst performer among these five ensembles.

 

Jason Platt and Angela Rathman in Misery There was no lack of spectacular work done in area theatre this year, and the following list is hardly exhaustive. But if you were fortunate, you caught at least a few of these 12 performances in 2008; whether taking on a leading role, a supporting role, or (in one case here) the only role, these gifted artists commanded the stage. And, hopefully, your attention.

 

 

 

John Hannon, Michael Kennedy, and Dan Hernandez in Inherit the WindAs its storyline was inspired by 1925's notorious Scopes "Monkey Trial," and its original 1955 presentation a response to McCarthyism, Inherit the Wind is one of those theatrical titles that wears its badges of Importance and Social Relevance on its sleeve. And so it isn't until you see the play (or see it again) that you realize (or remember) just how entertaining it is; Jerome Lawrence's and Robert E. Lee's courtroom drama is less a lecture or a harangue than a juicy, if sentimentalized, episode of Law & Order.

the Promises, Promises ensemble During a recent post-show conversation, an actor friend and I agreed that perhaps the most exciting moments at any theatrical production are those few seconds before the production even starts, when the lights dim, cell phones (please God) are turned to silent or vibrate, and the venue becomes alive with possibility - with the awareness that, in this live art form, absolutely anything can happen.

Kimberly Furness, Dave Bonde, and Corinne Johnson in Three ViewingsJust because Three Viewings - the area debut by the Curtainbox Theater Company, previously based in Los Angeles - is being staged at St. Ambrose University, and features St. Ambrose theatre professor Corinne Johnson among its cast, don't assume that this trio of Jeffrey Hatcher monologues will be any sort of academic exercise.

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