Given the stunning, twinkling backdrop with projections designed by Larry Lord, the collectively gentle demeanor of the five actors, and the relatively calm pacing, Jennifer Kingry's show is a glimmering lullaby of a production that’s quite unlike anything I’ve ever seen.

Do you have an inner monologue? You know: the innermost part of your brain that says what you actually think, or the part of you that knows you’re awesome even if you have difficulty outwardly expressing that to others? In Alex Richardson’s new play Your Better Self, currently running at the Mockingbird on Main, the audience is granted the chance to listen to its female characters' “better selves,” resulting in some great comedy and a fair bit of introspection.

From my perspective, it’s always fascinating to hear from the director before a Genesius Guild production, and on Saturday night, Jill Sullivan-Bennin’s thoughts on Electra were certainly enlightening. Grief, it seems, is as timeless as life itself. And Sophocles’ tragedy certainly hammers the message in: Stephanie Burrough’s Electra spent nearly the entire show lamenting about the awfulness of everything in her life.

I enjoy seeing a beloved musical that's so well-known I could easily sing along (though I never would). It's also fun seeing familiar faces and saying, "Hey, I know her!" "I acted with him!" Countryside Community Theatre's Joseph & the Amazing Technicolor Dreamcoat is that kind of show. It's both a classic and a family affair, as many summer productions with this company are.

Romeo & Juliet is one of William Shakespeare's best-known plays – "most often heard of," I mean, because many don't actually know it.

I think exposure to the theatre is so important for kids, and Circa 21's children’s show Madagascar: A Musical Adventure, directed by Brad Hauskins, did not disappoint, with life lessons continually pouring through the plot.

After a rough few weeks, I wanted a diversion. So even though I hadn't read the Natalie Babbitt novel on which it's based, I was happy to attend Thursday's final dress and tech rehearsal for Tuck Everlasting at the Spotlight Theatre. I left feeling both impressed and refreshed.

Honesty is the best policy – except, apparently, when it comes to what’s currently playing at the Richmond Hill Barn Theatre, because Here Lies Jeremy Troy is one heck of a play on words. It turns out that Jeremy Troy – a lawyer seven years into his career, played by Matthew McConville – isn’t dying; he’s lying. But I am being completely honest when I say Thursday’s opening night for director Dana Skiles’ show was full of humor as the characters tried to work themselves out of these lies.

Knowing the Peanuts characters' backgrounds, and aspects of the comics and the animated specials, will boost your enjoyment, but it's an amazing, worthwhile experience either way.

In November, I saw the original play "Jacques"alope by the Haus of Ruckus team of TJ Green and Calvin Vo at the Mockingbird on Main. It was a lively, uproarious quest story. Imagine my delight when I learned that it had gotten a baby brother!

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