A Broadway musical sensation that played for more than four years and 1,500 performances, the stage version a Robert Louis Stevenson's literary classic – one boasting a score by Frank Wildhorn and a book by the legendary Leslie Bricusse – comes to life in Jekyll & Hyde, the romantic thriller that will enjoy a Quad City Music Guild interpretation from August 5 through 14.

Disaster!, created by Seth Rudethsky, written by Rudethsky and Jack Plotnick, and now at the Circa '21 Dinner Playhouse, combines classic catastrophic-cinema elements with '70s pop tunes, and director/choreographer Amy McCleary, music director Ron May, and all involved came together to create this silly, music-filled diversion.

A global stage smash that has delighted audiences with more than 5,000 productions worldwide and has been translated into 21 languages, the iconic musical comedy Nunsense enjoys a July 28 through August 7 run at Mt. Carroll's Timber Lake Playhouse, the show lauded by Broadway World as boasting "dynamite singing, a pinch of puppetry, the tip-tap of time steps, and a hefty dose of soul."

For the first time since the organization's inception more than 60 years ago, the traditional end-of-summer comedy presented by Genesius Guild is not being written by Guild founder Don Wooten. Running July 30 through August 7, the company's latest comedic revamp of Aristophanes' The Frogs is instead being written, and directed, by T. Green and Calvin Vo. And if you're aware of the pair's accomplishments both on and off the Guild stage in Rock Island's Lincoln Park, you'll likely agree that the hiring choice is truly inspired.

Nominated for five 2006 Tony Awards including Best Musical and described as a “fizzy confection” by Variety magazine, the musical version of Adam Sandler's film-comedy smash The Wedding Singer will entertain Clinton Area Showboat Theatre audiences from July 21 through 31, with composer Matthew Sklar and lyricist Chad Beguelin praised by New York Theatre Guide for their 1980s salute's “truly clever and often hilarious score.”

William Shakespeare’s A Midsummer Night’s Dream is one of those plays whose audiences are at least vaguely familiar with. Clearly, familiarity pays off, as Sunday’s performance was about as packed as I’ve ever seen at a Genesius Guild performance. And what a great night to come out and experience what the company had to offer, because director Jeremy Mahr and his cast delivered quite a lighthearted night.

I saw Playcrafters' A Raisin in the Sun on Saturday, and am happy to say that director Gaye Shannon Burnett's production does full justice to this gem.

Given the stunning, twinkling backdrop with projections designed by Larry Lord, the collectively gentle demeanor of the five actors, and the relatively calm pacing, Jennifer Kingry's show is a glimmering lullaby of a production that’s quite unlike anything I’ve ever seen.

A 2016 Tony Award nominee and a tune-filled farce that the New York Daily News named one of its year's top-10 must-see musicals, the heady and hysterical Disaster! enjoys a July 20 through September 10 run at Rock Island's Circa '21 Dinner Playhouse, this jukebox delight inspiring Time Out New York's Adam Feldman to rave, "I can’t remember the last time I laughed out loud at the theatre as often as I did at Disaster!"

Do you have an inner monologue? You know: the innermost part of your brain that says what you actually think, or the part of you that knows you’re awesome even if you have difficulty outwardly expressing that to others? In Alex Richardson’s new play Your Better Self, currently running at the Mockingbird on Main, the audience is granted the chance to listen to its female characters' “better selves,” resulting in some great comedy and a fair bit of introspection.

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