A timeless classic gets an original, locally created makeover at the Playcrafters Barn Theatre March 6 through 15, with the Moline venue hosting the debut of author Alexander Richardson's Their Town, a salute to, and modernized take on, Thornton Wilder's iconic Our Town that serves as the first of four 2020 world premieres in the theatre's acclaimed Barn Owl Series.

Writing about the iconic stage presentation The Vagina Monologues in a 2018 article, the New York Times stated, “No recent hour of theatre has had a greater impact worldwide.” And Augustana College patrons will no doubt understand why when Eve Ensler's revered work is staged in a February 28 through March 1 production, with 90 percent of the proceeds benefiting women in the Quad Cities who are survivors of rape, sexual assault, and abuse.

Described by Talkin' Broadway as a family entertainment that provides both “plenty of humor” and “simple yet incredibly effective lessons for younger children to learn,” playwright Allison Gregory's Junie B. Jones Is Not a Crook enjoys an Augustana College presentation on February 29 and March 1, delivering what Arizona Central declared “a wonderfully fun production” that's “clever enough to charm all ages.”

If you missed the perfectly timed Valentine’s Day opening of the Spotlight Theatre’s The Wedding Singer, don’t have a cow. There’s a second weekend of this righteous romantic-comedy musical if you’re in need of an extra opportunity to show your sweethearts how much you love them. The energetic cast, familiar storyline, and totally awesome music make for the perfect escape from reality back to the '80s for a few hours.

More than 50 young participants from nine different Quad Cities communities will be “off to see the Wizard” from February 15 through 23, with Davenport Junior Theatre presenting its all-student production of the timeless adventure The Wizard of Oz as the second presentation in the venerable company's 68th season.

Nominated for a dozen 2015 Tony Awards and the winner of four including Best Choreography, a song-and-dance sensation high-steps into Davenport's Adler Theatre on February 20 with the arrival of An American in Paris – the celebration of iconic composers George and Ira Gershwin that, according to the New York Times, “weds music and movement, song and story with such exhilarating brio that you may find your … heart alight with a longing to be swept up in the dance.”

An iconic early project by a three-time Tony Award winner, composer Jason Robert Brown's cabaret-esque musical Songs for a New World enjoys a February 21 and 22 staging at Augustana College by eight student talents of the OperX ensemble, who will bring vocal life to this generational touchstone that led Theatre Mania to write, “Brown's score is filled with soul-stirring melodies, and his lyrics brim with emotion, hope, and soul.”

Touring the country with messages of equality, tolerance, and unity delivered with eye-popping theatrical flourish, the stage talents of Mexico Beyond Mariachi bring their presentation Trekking Mexico to St. Ambrose University on February 22, the final, family-themed engagement in the group's week-long residency as Quad City Arts Visiting Artists.

The Playcrafters Barn Theatre's presentation of The Boxcar Children opened on Friday with a simple, wholesome journey of four Depression-era youngsters and their adventures as recent orphans. Knowing that they will likely go to different foster homes, the Alden children escape into the woods and find a boxcar in which they begin to live, and while the set design was sparse, the actors, for the most part, were excellent – I found myself carefully listening to each character as they expressed their innermost thoughts and feelings. Like the old saying goes, "Less is more," and in this show, I found that to be particularly true.

Lauded by Theatre Mania as a “mean and marvelous” play that “has more surprises than a case full of Cracker Jack boxes,” author Neil LaBute's biting and evocative drama The Shape of Things serves as the latest student production in St. Ambrose University's Black Box Theatre, its February 13 through 15 run signifying why CurtainUp deemed it a “must-see” that “leaves the audience with much to talk about.”

Pages