Even without benefit of a plot synopsis, you may think you know the chief inspiration for Alexander Richardson's new Barely There Theatre stage comedy To Leer at Lear. It's Shakespeare's timeless tragedy King Lear, right? Well, yes. But also no. Because as Richardson states during our recent interview, “The inspiration that's actually been in the back of my head as I was writing it, and that's apparent as we're rehearsing it now, is A Muppet Christmas Carol.”

Boasting warmth, humor, magic, and unforgettable songs including "A Spoonful of Sugar," "Chim Chim Cher-ee," "Let's Go Fly a Kite," "Step in Time," and "Supercalifragilisticexpialidocious," an Oscar-winning family classic becomes a Tony-winning stage spectacular in the theatrical version of Mary Poppins, which will enjoy its long-awaited debut presentation at Rock Island's Circa '21 Dinner Playhouse July 9 through September 6.

Hailed by the New York Times for being an "old-fashioned British style of farce with an elaborate plot and dizzy characters," Tony Award nominee Ken Ludwig's golf-themed comedy The Fox on the Fairway enjoys a July 10 through 20 run at Geneseo's Richmond Hill Barn Theatre, the praise continued by ChicagoCritic deeming it "perfect family fare" and the Chicago Sun-Times calling the play "a riot of a hilarious show."

Nominated for five 2011 Tony Awards including Best Musical, and based on the beloved comedy starring Whoopi Goldberg, the tuneful and riotous Sister Act opens the Countryside Community Theatre summer season, the show's July 5 through 13 run at Eldridge's North Scott High School Fine Arts Auditorium demonstrating why the Associated Press deemed it “frothy, giggly, and yet often poignant,” as well as “a musical that hits all the right spots, achieving something close to Broadway grace.”

T Green's and Calvin Vo's production hooked me from the start – the performers are lively, fully present, and engaged in their scenes, and usually moved and spoke naturally, with excellent projection and diction.

If it’s got over-ze-top German accents, banging rock music, and more questionable wigs than you can shake a Spirit Halloween store at, it must be Rock of Ages, now playing at the Timber Lake Playhouse. Directed with aplomb by James Beaudry, Timber Lake’s latest takes us back to a yester-decade when rock music was the culture and not something confined to specific frequencies of FM radio.

A beloved biblical musical boasting seven Tony Award nominations and a chart-topping U.K. single in “Any Dream Will Do,” the Broadway smash Joseph & the Amazing Technical Dreamcoat enjoys a June 26 through July 6 run at the Clinton Area Showboat Theatre, this theatrical classic the first-ever publicly staged work by the legendary stage team of Andrew Lloyd Webber and Tim Rice.

For the company's annual classical production staged in Iowa City's Lower City Park, Riverside Theatre takes on perhaps the most beloved – and certainly the most famous – tragic romance of all time, with William Shakespeare's timeless Romeo & Juliet enjoying an outdoor run from June 13 through 29.

Given that the new Pope hails from Chicago, it’s likely you’ve heard an uptick of talk of that town in the last week or so. But let me tell you: There’s another Chicago you ought to be talking about, because the current production running at the Circa '21 Dinner Playhouse, directed and choreographed by Ashley Becher, is a visual spectacular and features, I wager, some of the best dancing I’ve ever seen on that stage.

Presented by Journey Live Production, a performing-arts organization dedicated to uplifting communities through the transformative power of African American storytelling, organization founder Curtis B. Lewis Jr. will stage his debuting play The Half at Davenport's TMBC Lincoln Resource Center, the emotional drama a two-person showcase for co-stars Lewis and area performer, author, and spoken-word artist Aubrey "Aubs." Barnes.

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