28
Mar
2007
REIGN OVER ME
Even though I have yet to enjoy Adam Sandler in, well, anything, I applaud the comic's attempts to stretch beyond the mumbling, hostile, stunted-adolescent shtick he's employed in such comedies as Click, 50 First Dates, and Mr. Deeds. I'd applaud them more if the films he chooses to stretch in - Punch-Drunk Love, Spanglish, and the current Reign Over Me - didn't wind up every bit as confused and unsatisfying as his comedies are.
"I was really nervous," recalls Jackie Madunic. "I love Tina Turner - she's, like, one of my idols - and I was terrified."
PREMONITION
As it was a technical dress rehearsal with four days to go before opening night, it was understandable that the March 19 presentation of Quad City Music Guild's Beehive encountered a few glitches. The scene transitions were on the poky side; it was often unclear, during the frequent medleys, whether musical numbers were supposed to end with applause or not (there were a few too many uncomfortable pauses); and the sound, during Act I especially, obviously needed polish - the over-amplification on the opening number, in particular, was painful.
Before introducing longtime mentor Don Wooten, host Kai Swanson said of his morning's duties, "My job is simply to keep things moving along, which I'll fail at right now. I understand from the program that our next speaker has five minutes, and when I saw that on the program, I told the organizer [New Ground Theatre's Chris Jansen], 'Good luck.' Because although he is one of the most gifted communicators I have ever known, he does believe - as do the ends of J.R.R. Tolkein's Lord of the Rings - that anything worth saying is worth saying lo-o-o-ong."
In his recent roles at the Playcrafters Barn Theatre, Patrick Adamson - portraying the insistent houseguest from hell in 2005's The Nerd and the irresponsible, romantic Gordon in the current Catfish Moon - has displayed an almost fearsome amount of talent.
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