Lauded by the New York Times for her “hale and limber voice” and her “mining of emotional subtleties within a song,” Americana singer/songwriter Amy Helm plays Davenport's Redstone Room on October 7 in support of her September 21 release This Too Shall Light, an album American Songwriter praised for its “subtle, organic, but vibrant spirituality that aims straight at your heart” and for Helm's “restrained yet obvious passion.”

Performing in support of their latest album that Rolling Stone calls “a crisp display of precision” in which “everyone plays with fire and purpose,” the musicians of Sarah Shook & the Disarmers serve as Moeller Nights headliners on October 9, their rock-infused country stylings on Years described by NoDepression.com as “real, raw, mean-and-evil, bad-and-nasty bidness that makes an ass-kickin' sound mighty fine.”

A widely acclaimed work in which, according to Variety magazine, “conflicts explode in consistently intriguing ways,” the comedic drama Speech & Debate serves as the final production in the Playcrafters Barn Theatre's 2018 Barn Owl Series, its September 27 through 29 run demonstrating why the Washington Post deemed it a “suspenseful tale that fuses keen-eyed civic critique with riotous and even campy humor.”

Deemed “a beautiful memorial” by Nebraska's The Reader and “an incredible achievement” by Vada magazine, the lauded collection of monologues and show tunes Elegies for Angels, Punks, & Raging Queens enjoys a one-weekend Augustana College staging September 27 through 30 – a deeply moving work that TheatrePizzazz.com called “an unforgettable evening of material real and raw, touching and joyous, and ultimately, celebratory.”

Fencing battles, sword fights, wandering minstrels, and all manner of Medieval fun will be on hand at the third-annual Quad Cities Renaissance Faire, the September 29 and 30 festival at Davenport's Credit Island Park that sets up camp in Iowa after two successive years in Illinois, and promises multiple stages of live entertainment, unique merchandise in the village marketplace, and food, drinks, and snacks galore.

Described by Artform as “an elegant and patient portrait,” and with Downbeat magazine calling it “as much a visual poem as it is a doumentary,” 2018's Milford Graves Full Mantis will be showcased as the September 27 feature in the Cinema at the Figge series, with hosts Ford Photography and the Figge Art Museum presenting the area debut of this heartfelt ode to a legendary musician.

Performing in support of its 2017 release The Desaturating Seven, an album that The A.V. Club called “a vibrant, knotted work of screwball fun” that “gets it message across in surprisingly approachable prog-funk hooks,” the experimental rockers of Primus play an October 3 concert at Davenport's Adler Theatre, sharing the talents that led MetalStorm.net to deem them “a shining example for bands who want to succeed on their own terms.”

With the Washington Post praising their “ability to create the best rock, jazz, bluegrass, and the rest in sonorities that are rich, transparent, balanced, and, blessedly, lightly aplified,” the Grammy-winning, genre-hopping chamber musicians of the Turtle Island Quartet serve as the latest guests in Quad City Arts' Visiting Artists series, their October 6 concert at Rock Island High School sure to demonstrate why the San Francisco Examiner hailed their “zest, imagination, and brilliant technique.”

In the venue's latest annual celebration of alternative rock, roots, and country music, Maquoketa's Codfish Hollow Barn hosts no less than 20 performers and ensembles at Garp 2018 on September 28 and 29, both days featuring sets with lauded folk-rock and Americana musician Nathaniel Rateliff, who will perform as both a solo artist and frontman for his group Nathaniel Ratelieff & the Night Sweats.

Lauded by NPR for their “irresistible rock 'n' roll swagger,” and with its frontman landing on Rolling Stone's list of the 100 greatest guitarists of all time, the Grammy-nominated Robert Randolph & the Family Band play a September 28 concert at Davenport's Redstone Room, the group's most recent release Got Soul inspiring Blues Rock Review to deemed them “a jam band full of energy and power.”

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