One of the most eagerly anticipated exhibitions in the Figge Art Museum's history will be on display from October 9 through January 6, as the Davenport venue hosts the touring French Moderns: Monet to Matisse, 1850 – 1950, an exhibit featuring 59 works drawn from the collection of the Brooklyn Museum that chronicles one of the most dynamic and beloved eras in the history of art.

Presented in conjunction with the Figge Art Museum's eagerly awaited exhibition French Moderns: Monet to Matisse, 1850 – 1950, the Quad City Symphony Orchestra opens its 2018-19 season of Masterworks concerts with a program fittingly titled French Moderns – an evening of glorious compositions by Debussy, Mussorgsky, and Ravel boasting a challenging and gorgeous solo played by renowned flutist John McMurtery.

Lauded by the New York Times for her “hale and limber voice” and her “mining of emotional subtleties within a song,” Americana singer/songwriter Amy Helm plays Davenport's Redstone Room on October 7 in support of her September 21 release This Too Shall Light, an album American Songwriter praised for its “subtle, organic, but vibrant spirituality that aims straight at your heart” and for Helm's “restrained yet obvious passion.”

Performing in support of their latest album that Rolling Stone calls “a crisp display of precision” in which “everyone plays with fire and purpose,” the musicians of Sarah Shook & the Disarmers serve as Moeller Nights headliners on October 9, their rock-infused country stylings on Years described by NoDepression.com as “real, raw, mean-and-evil, bad-and-nasty bidness that makes an ass-kickin' sound mighty fine.”

A widely acclaimed work in which, according to Variety magazine, “conflicts explode in consistently intriguing ways,” the comedic drama Speech & Debate serves as the final production in the Playcrafters Barn Theatre's 2018 Barn Owl Series, its September 27 through 29 run demonstrating why the Washington Post deemed it a “suspenseful tale that fuses keen-eyed civic critique with riotous and even campy humor.”

Deemed “a beautiful memorial” by Nebraska's The Reader and “an incredible achievement” by Vada magazine, the lauded collection of monologues and show tunes Elegies for Angels, Punks, & Raging Queens enjoys a one-weekend Augustana College staging September 27 through 30 – a deeply moving work that TheatrePizzazz.com called “an unforgettable evening of material real and raw, touching and joyous, and ultimately, celebratory.”

Fencing battles, sword fights, wandering minstrels, and all manner of Medieval fun will be on hand at the third-annual Quad Cities Renaissance Faire, the September 29 and 30 festival at Davenport's Credit Island Park that sets up camp in Iowa after two successive years in Illinois, and promises multiple stages of live entertainment, unique merchandise in the village marketplace, and food, drinks, and snacks galore.

Described by Artform as “an elegant and patient portrait,” and with Downbeat magazine calling it “as much a visual poem as it is a doumentary,” 2018's Milford Graves Full Mantis will be showcased as the September 27 feature in the Cinema at the Figge series, with hosts Ford Photography and the Figge Art Museum presenting the area debut of this heartfelt ode to a legendary musician.

Performing in support of its 2017 release The Desaturating Seven, an album that The A.V. Club called “a vibrant, knotted work of screwball fun” that “gets it message across in surprisingly approachable prog-funk hooks,” the experimental rockers of Primus play an October 3 concert at Davenport's Adler Theatre, sharing the talents that led MetalStorm.net to deem them “a shining example for bands who want to succeed on their own terms.”

With the Washington Post praising their “ability to create the best rock, jazz, bluegrass, and the rest in sonorities that are rich, transparent, balanced, and, blessedly, lightly aplified,” the Grammy-winning, genre-hopping chamber musicians of the Turtle Island Quartet serve as the latest guests in Quad City Arts' Visiting Artists series, their October 6 concert at Rock Island High School sure to demonstrate why the San Francisco Examiner hailed their “zest, imagination, and brilliant technique.”

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