Not to be grossly insensitive, but films such as The Promise – writer/director Terry George’s historical epic set amidst the (still-contested) Armenian genocide of World War I – make me wish there were even more comic-book movies. X-Men: Apocalypse, after all, gave us Oscar Isaac as a world-destroyer, and Christopher Nolan’s Batman movies gave us Christian Bale as the Caped Crusader, and both actors were infinitely more entertaining in those outings than they are in this turgid love-triangle melodrama – a ceaselessly phony piece of “prestige” moviemaking that feels like it’s unsuccessfully aiming for Best Picture of 1985. (The dull movie that did win that prize, Out of Africa, feels like Pulp Fiction in comparison.)