What follows is a subjective list of my 10 favorite releases of 2019, as well as some honorable mentions. My personal tastes tend toward rock and metal, and this list reflects that, with a few exceptions. There's much good music that I've either missed or haven't fully appreciated. You are probably in the same boat. So read on – and feel free to recommend anything I may have overlooked.

As time drags closer to the inevitable apocalypse and the modern world continues to develop in grisly and unforeseen ways, we can find some comfort in the fact that there is now more music available than ever before.

The Swedish rock band Ghost will be performing at the TaxSlayer Center on October 8. Coming off a European stadium tour with Metallica, the group has headlined summer festivals and has embarked on a massive North America tour that includes New York, Los Angeles, Chicago, Toronto, Boston … and Moline.

The first Moeller Nights Fest, previously known as GAS Fest, lands at The Rust Belt in Moline from February 14 to 16, and its stacked lineup covers a spectrum of contemporary rock, country, and singer/songwriter fare in step with Sean Moeller’s homespun yet progressive curatorial inclinations.

Ian Svenonius, long associated with the Washington DC music scene, is slated to perform Tuesday, 10/30, at 8PM at Rozz-Tox (2108 3rd Ave, Rock Island, IL). He has been making music since the late Eighties, and recording it since 1990. If there is any one musician who knows what’s possible in making music, it’s Svenonius – and Svenonius has never seemed the sort to acknowledge any kind of limitations. Catch one of his shows under his current project, Escape-ism [https://www.youtube.com/watch?v=PDomSeWAUPs], and you will see imagination and talent at work – and a form of charisma, however awkward, capable of attracting people to these qualities.

In 2017, the last three days of September and the first of October brought an unexpected surprise. The All Senses Festival debuted its multi-media enterprise last year with more than 20 artistic performances and was held at Rozz-Tox, the Rock Island Brewing Company (RIBCO), and the Figge Art Museum. Though smaller in scale compared to other regional festivals, in particular Iowa City’s Mission Creek, All Senses had, judging by the number of the acts, its own Homeric air to it.

Tim Story found his true calling while enrolled at the University of Toledo in the late Seventies as an English Literature major. Upon graduating in 1980, he began recording ambient music, starting with 1981’s Threads. His collaborations with the German musician Hans-Joachim Röedelius began with 2000’s Persistence of Memory. It continues with their recent installation, The Röedelius Cells, showing at the Figge Art Museum from September 25 through 27. Story cordially consented to explain their project.

Everything that goes out of fashion seems to make a resurgence at some point or another. This trend is no different in the music scene. Record collectors have seen formats come and go. But most recently, the focus is on the comeback of vinyl records and cassette tapes.

Let's put a new twist on an old format – the ubiquitous year-end lists about music. We invited over 50 Quad Citizens who we know contribute to, support, and/or promote the local-music scene to give us their takes on 2017 via a 3-2-1 format. We asked: What are the three top songs they loved listening to this year; the two top live shows they saw in the Quad Cities; and the number-one artist they most want to see perform here live in 2018?

A good friend of mine once relayed a phrase that her mother would lob at her as an explanation for her poor choice in men, saying, “Your taste is only in your mouth.” I suppose that’s how it is with music, too, isn’t it?

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