Davenport's progressive metal band Kronos Resistor released a lengthy LP called The Book of Pariah earlier this year. The five-piece band has a discerning ear for epic metal arrangements that veer between guttural metalcore beatdowns and more stately, almost neo-classical interludes built over washes of synth and bright guitar harmonies. When your band has “Between the Buried and Me” listed as a genre tag on Bandcamp alongside more conventional but no less indicative choices such as “mathcore” and “melodic metal,” you might go into their music knowing what to expect: a fusion of disparate genres and moods, all of which orbit around a bruising core of barked vocals and palm-muted guitar shred.

The duo was scheduled to play a set at the Renwick Mansion in the near future to air out Lungs tracks into the public sphere, but of course, that date has since vanished. One hopes that they’ll get back to the stage before too long to let their amps sizzle and their drums crash in the live setting.

Two recently released marquee pop albums by The Weeknd and Dua Lipa each represent an artistic and commercial peak for the artists, and both happen to fully inhabit sonic palettes sourced from bygone eras of production.

With little preamble, Bob Dylan released a track titled “Murder Most Foul” that uses the assassination of John F. Kennedy as a jumping point to weave a rambling tale of 20th-century history, musical lineage, and the confluence of art and culture writ large as glimpsed through decades of hindsight.