Dexter Allen, 3 p.m.

DexterAllen.com

I had the luxury of seeing Dexter Allen for the first time in 2011, at the Windy City's blues festival. I heard an amazing musician! Someone turned to me and said, "That's Dexter Allen, the Blues Man from Mississippi." Dexter was born in Crystal Springs, Mississippi, the son of a preacher. His grandpa was a deacon. Dexter began playing guitar at the age of 10, and thumping the bass at the age of 12.

Winter Blues All-Stars, 3 p.m.

The Winter Blues All-Stars is composed of talented young musicians selected from the River Music Experience's Winter Blues program. The annual Winter Blues program features vocal and instrumental workshops (guitar, bass, harmonica, keyboards, and drums), as well as a concentration on blues composition and improvisation. These sessions are open to musicians from eight to 18 years of age and are led by Ellis Kell of the River Music Experience and Hal Reed of the Mississippi Valley Blues Society, with other veteran blues musicians from the region as special guests.

Little Bobby Houle, 3 p.m.

Bobby Houle makes his home in Thief River Falls, Minnesota. He is a third-generation musician who was born on Red Lake Reservation and eventually followed in the footsteps of his grandfather, Robert "Bashful Bob" Houle - a member of the Minnesota Music Hall of Fame and National Rockabilly Hall of Fame - and father, Robert Houle Jr.

A self-taught musician like his elders, Bobby began playing guitar in high school. He wasn't exactly following in his grandfather's and father's footsteps of country music. Bobby said, "I don't know how I fell into the blues, but once I did I was hooked on it. I love playing the blues, because each performance will be different from the previous performance."

In 2005 Little Bobby released his first CD, Before the Storm. Later that year he landed a spot on the Last Ride Blues Festival in his hometown, and Buddy Guy was the headliner. What a way to kick off a blues career!

The Westbrook Singers, 3 p.m.

TheWestbrookSingers.com

The Westbrook Singers are an extraordinary family group that is committed to spreading God's message through music - in a style that is both contemporary and traditional. The origin of this seasoned group dates back to the mid-'70s, when 11 siblings came together to complement a ministry that began with their father some 20 years earlier. Thus, the children of Bishop Charles B. and Barbara Westbrook came to be known as The Original Westbrook Singers.

Over the years, the group has changed in its makeup but not in its focus. Today, only four of the siblings continue in performance roles, though appearances by other siblings are not rare. They are Brenda Westbrook-Lee, Delores Westbrook-Tingle, Gary Westbrook, and Cynthia Westbrook-Bryson.

Van McCann, singer and guitarist for the United Kingdom's Catfish & the Bottlemen, has a strange relationship with the song "Homesick."

"I thought it was the worst one of the batch we did ... when we first started recording for Communion," he said, referring to the label/tour founded by Mumford & Sons' Ben Lovett. "Since then, it's become my favorite."

What changed, McCann said, was that other people liked it. And therein lies a great deal of the charm of Catfish & the Bottlemen, a band described by the UK's The Guardian as "deeply old-fashioned - and unfashionable."

McCann doesn't disagree with that assessment - whether it means an indifference toward appearance or, in a larger sense, a band more in love with the idea of playing for as many people as possible than selling lots of records or making artistic statements. When the quartet performs a Communion/Daytrotter show at Maquoketa's Codfish Hollow Barn on June 19, expect no-frills rock-and-roll with one goal: to connect with the audience.

Last year, Quad Cities-based singer/songwriter Lewis Knudsen decided to give up substitute-teaching to devote himself full-time to music. Lots of musicians make a similar leap, but few of them commit to it as fearlessly and smartly as Knudsen has.

He performed at open mics and got gigs wherever he could - restaurants, bars, wineries, nursing homes, birthday parties, company parties.

He set out to write and record a new song a week in 2013, a project that ended up generating 40 tracks (all of them available on his Web site at LewisKnudsen.com/songs-from-2013). For the uncharitable who think Knudsen was a slacker for falling short of his goal, the song-a-week project was waylaid by a three-week tour of Europe through the Germany-based Songs & Whispers organization.

He assembled a band and professionally recorded the self-released album Joy, Pain, Love, Songs. - whose debut he'll be marking with a June 5 show at the Redstone Room.

And while studio recording can be a challenge for neophytes, Knudsen sidestepped that issue in two ways - by fine-tuning the songs in live settings and having the process come to him by tracking with mobile equipment in his quintet's practice space. "It was exactly like being in my living room and recording the whole album," Knudsen said in a phone interview last week.

D.R.I. Photo by Colin Davis.

The seminal crossover-thrash band D.R.I. released its seventh studio album, Full Speed Ahead, in 1995, and fans hungry for an eighth album ... well, they'll need to keep waiting.

Founding vocalist Kurt Brecht, in a recent phone interview promoting D.R.I.'s May 30 appearance at RIBCO, said the band isn't against the idea and has made fits and starts. It recorded four demos in 2004 and released a Web-only track from those sessions. And, he added, founding guitarist Spike Cassidy "was saying something about recording the next time we're in L.A. with the engineer that used to do our old albums when we were on Metal Blade Records."

But, he said, if something comes from that studio time, it will likely be an EP. "Not that we couldn't write a full album," he said. "It's just we've been so busy touring and stuff, we don't want to stop to put out an album. ... We're just so happy to have an unlimited amount of dates thrown at us all over the world to play, so we don't want to slow down." Plus, without a current record deal, the band is under no obligation to release new material - and getting a record deal or self-releasing an album would require energy that could be devoted to touring.

When guitarist Damon Johnson was recruited from Alice Cooper's band to play in Thin Lizzy in 2011, he had no idea that he was also joining another band.

"The initial discussions were just about filling that soon-to-be-vacant guitar spot," Johnson said in a phone interview this week. "And that was enough for me, as a student of Thin Lizzy's music - not just the guitar players, but Phil [Lynott]'s songwriting.

"So it was extra exciting for me, literally the second or third day that I was there, [that] there was a discussion about wanting to write and record new material for a Thin Lizzy album."

Few people would be surprised to find Julie Byrne working in the service industry. The singer/songwriter, after all, is in her mid-20s with one album to her credit, and it's hard for an emerging musician to make ends meet performing for small audiences and selling records one by one.

But if you see Byrne working at Rozz-Tox in the coming weeks, it's not for that reason. Instead, she's the first artist-in-residence at the venue, and her one-month stay in the Quad Cities - running through early June - will include a show on May 28.

The residency, Byrne said last week, originated with the idea of finding something to fill the gap between a two-month tour and her summer concert bookings. "I knew that going on such a long tour would be really wonderful and really exhilarating but also challenging just because there's no privacy and no space to reflect on these constant, rapid experiences - each day in a new place," she said. "So I was trying to figure out a calm, tranquil environment where I could exist after the tour to kind of take it all in and begin working on new material."

David G. Smith. Photo by Avory Pierce.In putting together his new album One House, Blue Grass, Iowa-based David G. Smith "ended up with 10 issues-oriented songs," he said in an interview last week.

This was a bit of an accident. Smith - who will be celebrating the album's release with a May 17 show at the Redstone Room - said he brought 21 songs to producer Blue Miller and "figured we'd find an album out of that. ... We ended up recording two albums. ... We've got another one on deck. It's already been mastered."

And when Smith considered which songs to put on which album, One House's 10 tracks seemed to naturally go together in the order they appear.

The title track asks the question "Can we live in one house built on higher ground?" "Ivory" deals with the illegal trade of elephant tusks. "Jesus Is in Prison" is about a death-row inmate. "Angels Flew" tells the story of a boat lift rescuing people on 9/11. "Doesn't Take Much Light" and "Ariel" are specific narratives based on real people - with Parkinson's disease and the extremely rare Rett syndrome, respectively. (The River Music Experience concert is also a platform to raise money for the latter illness.)

It's a heavy collection, and for some tastes it will likely be too on-the-nose, even though it's rarely preachy - which Smith called "the mortal sin of songwriting": "It's a supreme challenge to try to write something that will strike a chord with people and at least make them pause and maybe think a little bit."

The subject matter and directness are countered by folk arrangements that are thoughtful and evocative, but more importantly the album - Smith's second studio effort - is also filled with hope, conviction, earnest heart, and lovely turns of phrase that elevate it. Smith is at his best finding unexpected light in the darkness.

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