Cheap Trick's "Rockford"Cheap Trick is back at the top of its game with an all-new CD this coming Tuesday, Rockford, named for the group’s Illinois hometown. The Big3 Records release features a handful of songs recorded by post-punk champion Steve Albini, and the first single, “Perfect Stranger,” was co-written and produced by star-making songwriter Linda Perry of 4 Non Blondes.

 

Ellen Bowlin When the original pipe organ at St. Mark Evangelical Lutheran Church in Davenport was removed in 1969 and replaced with an electronic organ, the shift was meant to be temporary.

But the temporary has a way of taking hold, and the “interim” instrument lasted until 2003.

Now, as the culmination of a sanctuary renovation and a component of the church’s strategic-planning process, the congregation has a new pipe organ. The organ has been used in services since Palm Sunday and will be featured in a concert by Michael Burkhardt on Sunday, June 4.

 

Four new cover projects have caught my attention, with Pat DiNizio's classy cocktail-lounge croon topping the list. Big thumbs up to Fuel 2000 Records for putting the Smithereens founder in such an intimate setting with pianist Jay Rowe, as they ply their talents on 16 selections from the American songbook.
The story of the “anti-folk” musical duo the Bowmans – twin sisters Sarah and Claire Bowman – might be tired and cheap if it weren’t so compelling and poignant.

They grew up in the Quad Cities, operate out of New York City, and are making their return this week, opening for Lowry (a band in which they also play) at the Redstone Room on May 24. Hometown girls made good!
The complaint is painfully common. You look at the list of hot indie-cred-heavy bands playing at Gabe’s in Iowa City, or in Des Moines, and they’re the same bands that are playing in Chicago a few days later or earlier. They’re already driving Interstate 80 – hell, they’re probably stopping near the Quad Cities to pee – yet they rarely play here.

Sean Moeller has heard it. “We’re right on the way,” he said last week. “Everybody who’s anybody drives on I-80. They’re passing right by us every time. It gets to a point where you get really sick of that. You get sick of people ignoring you. ...

“When you are feeling like you’re bypassed every time for a different place, it’s easy to think that this place is crap. It’s easy to think that every place else is better.”

So Moeller gave people a reason to stop: Daytrotter.com.


Neither Tardo Hammer nor Charles Davis can explain their success in jazz.

Hammer, who has been called “the best jazz pianist you’ve never heard,” said he never planned on a music career when he was starting out in the late 1970s.

“To me it was ridiculous to think of a career,” he said in a phone interview this week. “There wasn’t a lot of work, and jazz was really not popular. ... You hardly saw an upright bass player, and almost every piano player had to get a Fender Rhodes. If you played ‘Straight Ahead,’ that was considered something that was just about to vanish off the planet, holding onto something that was ready to expire.

“I was thinking, ‘I’ll do this now because this is what I love to do. I’ll go where this is and see what happens. I’ll worry about tomorrow tomorrow.’”

Nearly 30 years later, Hammer has stumbled into that jazz career, performing regularly with singer Annie Ross and also releasing three discs as a bandleader. He’ll be playing in a quartet with the venerable saxophonist Davis at the Figge Art Museum later this week. (The pair will be joined by drummer Jimmy Wormworth and bassist Lee Hudson.) 

 

A new punk-rock super-group of sorts has received the coolest pop-culture recognition in recent memory, as Osaka Popstar becomes a collectible Wacky Packages trading card.
Still brutal - and baked - after all these years, the Melvins are back this coming Tuesday with Houdini Live 2005: A Live History of Gluttony & Lust, a live opus that squeals and cascades the sickest guitar tones in memory.
Not many people have heard of Mia Zapata, a punk singer who was murdered in 1993. At the time of her death, Zapata's group, The Gits, had released just one recording, Frenching the Bully. The CD is in many ways unremarkable, except for one thing: Zapata is a force of nature, and her powerful, un-self-conscious voice makes it impossible to keep your ears off her.
• Long gone are the days when the search for that out-of-print LP required hours of thumbing vinyl in used-record shops, tingling to find that goofy, rare oddity for a lovelorn mix tape, or that missing link in the history of an artist you're really digging lately.

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