Painted on the east wall of the building at 2104 Fourth Avenue in Rock Island, the mural jolts us out of our familiar world – plunging us into an underwater world populated with beautiful, mysterious, mythical, and dangerous creatures.

Cassini stands in isolation in a wooded area on Beacon Harbor Parkway in East Moline near the Mississippi River. The sculpture is approximately 20’ in height, but feels even larger when standing near it. Its mathematically-inspired forms and rhythms are hypnotic. The sculpture’s curved strips form a whole. Yet in regarding the whole, one is drawn back to its interlocking elements or to the interior space created by these forms.

During the First World War, construction began on St. Luke’s Hospital at 1227 East Rusholme Street in Davenport. The hospital has been renovated several times in the intervening century, but never as impressively as the $150 million renovation and construction project – the largest in Quad Cities history when it was announced in 2013 – that has been recently completed. The hospital, renamed Genesis Medical Center, is at the center of a beautiful campus that also includes the Genesis Heart Institute and medical office buildings.

The design for the Hero Street Monument came to artist Sonny Soliz in a dream. Not simply as a concept, but, as he said in an interview, as a completed monument that looks exactly as he dreamed it.

Baseball is 90 percent mental and the other half is physical.” – Yogi Berra

Yogi’s words are illogical. But brilliant.

It is equally illogical to inlay a full-sized baseball diamond – made of brick and stone! – in the pavement west of Modern Woodmen Park, not far from the “real” one inside.

The statue at the Kaaba Shriners Masonic Center. Photo by Bruce Walters.

Two similar Quad Cities sculptures that could be best described as sentimental raise issues about the role of art. Although their tones are different, both pieces depict young girls with adult-male authority figures and are meant to reflect the goals of the organizations that host them.

The neon sign at Bowlmor. Photo by Bruce Walters.

Downtown Davenport was once bathed in the bright glow of neon signs. In a photo taken from the intersection of Main and Second streets in the 1940s, the Hansen’s Hardware neon sign in the foreground rises several stories over the street below. So does a nearby Kaybee sign. There are, seemingly, a dozen or more smaller neon signs in the block.

Today from the same vantage point, we see U.S. Bank, the Figge Art Museum plaza, and the Charles J. Wright Ground Transportation Center. The prominent Hansen neon sign? Long gone. So are all of the other large neon signs in the photo: Kaybee, The Hub, Three Sisters, Baker’s Shoes. Also gone are the even-more-impressive neon signs rising high above the downtown theatre marquees.

Neon signs from this past era, fortunately, can still be found elsewhere in the Quad Cities.

'Metamorphosis,' by Jacob McGinn. Photo by Bruce Walters.

A human-like insect – larger than you – is frozen in a 10-foot-long stride. Its flailing arms are extended. All four of them.

Photo by Bruce Walters.

Abraham Lincoln is listening to a young man seated on a railroad track. Lincoln’s deep-set eyes look outward, not returning the gaze of the young man. His left hand rises to his face in a speaking gesture, but his smile seems to have frozen – cut off as if by a sudden realization.

Photo by Bruce Walters.

Stylistically, the Porter Building – in the Annie Wittenmyer complex at 2800 Eastern Avenue in Davenport – is an English Period Cottage. Its half-timbered frame and steep pitched gables are drawn from European medieval building techniques.

Its architectural style is fairly unusual for the Quad Cities. What really sets it apart visually, however, is its playful, creative brickwork. Regular rows of bricks give way to unorthodox coursing patterns in the middle section of the walls. Like a stream of consciousness, like the drip paintings by Jackson Pollock, the rows of bricks wrap around large stones, rise up and down in waves, then – suddenly – are stacked at odd angles.

The building was designed by Bradley Rust (1908 -2000), an Iowa City architect. It is his earliest work that still stands, and perhaps his most creative. Nearly 500 construction and remodeling projects created by Rust are maintained by the State Historical Society of Iowa in Iowa City.

There isn’t another building in the Quad Cities quite like it. Its connections to history, however, are equally unexpected. And genuinely significant.

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