Arthur Miller, who is among the great 20th-century playwrights, never fails to impress. And when a theatre company knows how to handle his material – as the Richmond Hill Barn Theatre clearly does – a Miller play can become a stellar production.

While the holiday decor was gorgeous, and festive songs abounded during dinner, I honestly wasn't ready for anything holly-jolly. We weren't past Turkey Day, or even Veterans' Day yet. Nonetheless, director and choreographer Ashley Becher, music director Ron May, and the cast, crew, and staff put on a show that could warm even the Grinch's shriveled heart.

In its five years in existence, the Black Box Theatre has gained a reputation for eclectic script choices and high production values with stellar performers. Its current offering, Motherhood: The Musical, is a fine continuation of that tradition.

On Saturday night, I had the great pleasure of introducing a friend to The Producers. Her only prior knowledge of the show was me incessantly singing “Springtime for Hitler” at her and my assurances that the musical was funny. And director and Spotlight Theatre co-owner owner Brent Tubbs and his talented cast of 29 held up their end of the bargain, offering a virtual – and visual – smorgasbord of humor.