I'd been wanting to see author Diana Son's Stop Kiss, which made its off-Broadway debut in 1998, ever since I missed it locally (twice!) – at St. Ambrose University in 2008, and Augustana College in 2017. Therefore, I took my seat on Saturday at the Playcrafters Barn Theatre with anticipation, and director Erika Seabloom, an Ambrose graduate, has assembled many talents to create a polished, satisfying production.

Winner of two 2008 Tony Awards and the prestigious Laurence Olivier Award for Best New Comedy of 2007, author Patrick Barlow's slapstick thriller The 39 Steps enjoys a June 15 through 25 run at Mt. Carroll's Timber Lake Playhouse, the show's creative team and four-person cast sure to demonstrate why the New York Times called this Alfred Hitchcock celebration/spoof an “indomitably funny” comedy of “virtuosic clowning.”

An Outer Critics Circle Award winner for Best Musical that also earned a Broadway.com Audience Award for Favorite New Broadway Musical, the stage adaptation of Mel Brooks' film classic Young Frankenstein takes over the Clinton Area Showboat Theatre from June 15 through 25, this Tony-nominated riot lauded by the New York Post for its "bright and witty" lyrics and the book's "great job ... in transferring the original script to the stage."

One of William Shakespeare's most delightful and adored comedy classics will enjoy a professional Riverside Theatre staging this summer when the Iowa City company, from June 16 through July 2, presents the romantic and hilarious Twelfth Night in a bucolic outdoor staging at Iowa City's Lower City Park.

Led by director Dana Skiles, Saturday's performance was polished, entertaining, and high-quality. The intensity of the scenes, practical and special effects, stage combat, and dark humor are all things that probably proved a challenge, but Richmond Hill’s presentation rose to the occasion and delivered these elements without misery. In fact, the experience overall was quite the opposite of miserable.

In describing their latest Johnny-and-Fungus adventure, the comedy FunkyologyHaus of Ruckus co-founder T Green says that the show “is sort of like our homage to Indiana Jones, The Goonies, Lara Croft, and National Treasure, with sprinklings of Legends of the Hidden Temple.” But in case you were wondering whether Green's latest stage endeavor alongside Ruckus co-founder Calvin Vo was timed to coincide with the big-screen Indiana Jones & the Dial of Destiny opening at the month's end, Vo has a simple answer for you: “No.”

As a Broadway classic, Hello, Dolly! is one musical I’ve always known about but have never actually seen. Director Lora Adams’ Black Box Theatre production, meanwhile, is a lighthearted tale that enchants from start to finish, so unless you’re a certified fun-hater, I can’t think of anyone who wouldn’t enjoy this show.

When it first debuted on Broadway under the title SpongeBob SquarePants, the show went on to receive 12 Tony nominations, though it won only one. The Spotlight Theatre’s production, helmed by Noah Hill, largely fits that same mold, with a lot of great work coming through. But things didn’t gel as much as I hoped they would.

I don’t think there’s another show that I’ve seen more productions of than Grease. High-school, community-theatre, professional-theatre, film, filmed-for-TV, now summer stock … . Had you asked me a week ago what I thought of Grease, I would have told you it’s boring and overdone. But the sixth time must be the charm, because Timber Lake Playhouse’s production was a freaking blast.

Hailed by The Guardian as "an incredibly fun, energetic performance" that "remixes some of your favorite moments from the show with a new and touching story," the stage version of a children's-TV sensation hits Davenport's Adler Theatre stage on June 14 and 15 in Bluey's Big Play, a blend of live actors and puppetry that, The Guardian continued, "doesn’t shy away from sharing honest truths while celebrating imaginative play."

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