If life is making you lonely, you can always go downtown to the Circa '21 Dinner Playhouse and experience their latest offering Beehive: The '60s Musical. Director/choreographer Shelley Cooper and her gang of six ladies will take you on a musical journey through the decade that is chock-full of your classic favorites. This fun night of familiar tunes is exactly the answer – it’s a gas!

Described by Broadway World as “a musical so jam-packed with hits that it's almost overwhelming,” the toe-tapping, soul-lifting revue Beehive: The '60s Musical enjoys a late-spring/early-summer run at Rock Island's Circa '21 Dinner Playhouse, this infectiously entertaining salute to female pop, rock, and soul singers lauded by DC Metro Theater Arts as “a big-hearted, well-accomplished, utterly tuneful joy.”

Some of the most memorable and beloved tunes from the worlds of theatre and movies will receive delightful virtual interpretations from May 21 through May 23, with the Coralville Center for the Performing Arts presenting the original musical revue The Show Must Go Online, a student-performed collection of hits from students of the venue's theatre program Young Footliters.

Winner of the Obie Award for Best Play and named “The Best of Theatre in 1996” by Time magazine, the darkly comic historical drama One Flea Spare will enjoy live public performances at Augustana College's Brunner Theatre Center May 6 through 9, author Naomi Wallace's critically acclaimed work described by The Guardian as “a tough and transcendent piece of proper grown-up theatre.”

One of William Shakespeare's most delightful yet biting romantic comedies enjoys a springtime outdoor production when students of Carl Sandburg College, from May 7 through 9, present the Bard's Love's Labour's Lost, a much-adored stage work that has also been adapted as an opera, a radio play, and a Kenneth Branagh movie musical.

A series of short stage pieces that, according to Dramatists Play Service, “taps in to the delights and frustrations of staying connected,” Scott Community College's springtime production Technical Difficulties: Plays for Online Theatre will be available for streaming May 7 through 9, delivering a sextet of captivating works on the pleasures and perils of communication in the 21st century.

In the longstanding tradition of “show, don't tell,” a story needs a setting or theme to carry it. Star Trek wasn't really about space; Field of Dreams wasn't really about baseball. Stories are about people, memories, and emotions. And although the actors now performing at the Black Box Theatre talk for 90 minutes about pantsuits, gowns, and boots, Love, Loss, & What I Wore isn't really about clothing.

The lighter side of living-room entrapment – a sensation most of us can identify with – will be explored in three short, hysterical comedies presented by Coralville's City Cirle Theatre Company, with the streaming encore run of Acting Out While Staying In: An Evening of Virtual Comedy, from April 30 through May 2, treating audiences to new works by area playwrights Christopher Okiishi, Paul Story, Janet Schlapkohl, and Brian Tanner.

The late, great author and humorist Nora Ephron famously shared this piece of advice for women: “Above all, be the heroine of your life, not the victim.” That message will also be shared in the Black Box Theatre's new presentation of Nora and her sister Delia Ephron's Love, Loss, & What I Wore, a stage serio-comedy that Variety magazine called “a bittersweet meditation on the joys and tribulations of women's lives” and that the Hollywood Reporter deemed “tender and insightful without being sentimental.”

With its playwright José Rivera lauded by TheatreMania.com for the “expansive, ecstatic, poetic tone in his work that few stage writers dare to attempt,” the riveting quiltwork drama Sonnets for an Old Century will be available for April 16 through 25 viewing in a virtual presentation by Iowa City's Riverside Theatre, treating online audiences to a kaleidoscopic work that inspired Chicago Stage Review to rave, “Rivera’s script is staggering and lovely.”

Pages